{"title":"名家建盏与瓷器资产池｜Jian Ware \u0026 Porcelain Asset Pool","description":"\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e建盏与瓷器，不只是茶席器具，而是可以长期欣赏、陈列与收藏的东方器物。\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e老寨古茶精选名家建盏与景德镇瓷器作品，关注作者背景、釉色、器型、工艺、稀缺性与长期收藏价值。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e不是追热闹。是选多年后仍然站得住的东西。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollectible Jian ware and Chinese porcelain selected for maker, glaze, form, craftsmanship, rarity and long-term holding.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"porcelain-tea-set-of-6s-from-jing-de-zhen-景德镇-宝瓷林-苹果绿六件套装-高级礼品茶具","title":"Porcelain Tea set of 6s from Jing De Zhen 景德镇 宝瓷林 六件套装 高级礼品茶具苹果绿","description":"\u003cp\u003e\u003cspan\u003ePorcelain Tea Set of 6 from Jing De Zhen, apple green, including Gai-Wan x 1 ; Serving Pitcher x 1; Tea tasting cups x 4. High-end tea set by Baocilin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“苹果绿\" 又名“郎窑绿”、“苹果青”、“绿郎窑”，是郎窑红的窑变产品。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e郎窑红制品在窑内烧成的最后阶段，因铜红釉误被氧化，使釉中的低价铜氧化为高价铜，里外釉面均呈浅绿色，显玻璃光泽。而有的比郎窑红更为名贵，其釉色微绿莹润而泛五色光，器身布满极细小的纹片，故又有“绿哥瓷”之称。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e景德镇宝瓷林茶具6件套高级礼品套装-苹果绿， 盖碗一只，公道杯1 只,，蹲式茶杯 4个。色彩艳丽, 色泽柔和，实物比照片漂亮，是景德镇陶瓷精品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":12455346143302,"sku":"PB6263","price":1550.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/products\/8.jpg?v=1550487575"},{"product_id":"copy-of-tenmoku-cha-wan-from-fujian-china-jianzhan-jian-ware-silver-coated-vintage-tenmoku-from-song-dynasty-黄金24k-建盏-品茗茶碗","title":"Song Dynasty Jian Ware Tenmoku Cha-wan｜Silver-Repaired Antique Jianzhan Fragment｜宋代银补古建盏残器","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eA silver-repaired Song Dynasty Jian ware fragment from Fujian, China.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis antique Tenmoku cha-wan is not a perfect museum-grade piece, but a restored study object for collectors who appreciate old Jian ware, Song aesthetics and the quiet beauty of repaired vessels.\u003c\/p\u003e\n\u003cp\u003eIt may be used gently for tea, or kept as a display and study piece.\u003c\/p\u003e\n\u003cp\u003e宋代建窑古盏残器，银补修复。\u003c\/p\u003e\n\u003cp\u003e非完整器，适合古建盏学习、茶席陈列、轻度使用与收藏参考。\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eSong Dynasty Jian Ware Tenmoku Cha-wan｜Silver-Repaired Antique Jianzhan Fragment\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a silver-repaired antique Jian ware tea bowl fragment, described as Song Dynasty origin, from Fujian, China.\u003c\/p\u003e\n\u003cp\u003eJian ware, also known in Japan as Tenmoku, was highly valued in the Song dynasty tea culture for its dark glaze, iron-rich firing character and quiet visual depth.\u003c\/p\u003e\n\u003cp\u003eThis piece is not a complete museum-grade bowl.\u003c\/p\u003e\n\u003cp\u003eIt is a restored fragment, repaired with silver coating, suitable for collectors who want to study the form, glaze, foot, firing character and historical feeling of old Jian ware.\u003c\/p\u003e\n\u003cp\u003eThe appeal of this piece lies in its imperfection.\u003c\/p\u003e\n\u003cp\u003eThe silver repair does not hide the damage.\u003cbr\u003eIt records the damage.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this kind of piece can be meaningful in three ways:\u003c\/p\u003e\n\u003cp\u003eFirst, as a study object for understanding old Jian ware.\u003cbr\u003eSecond, as a display piece for a tea room, cabinet or private collection.\u003cbr\u003eThird, as a vessel that may still be used gently, if the buyer accepts its restored condition.\u003c\/p\u003e\n\u003cp\u003eThis is not a modern Jianzhan made for daily use.\u003c\/p\u003e\n\u003cp\u003eIt is an old repaired object with age, traces, imperfection and presence.\u003c\/p\u003e\n\u003cp\u003eAt Old Village PuEr, we select this kind of piece not because it is flawless, but because it allows collectors to see and handle a part of old Jian ware history at a more accessible level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Note:\u003c\/strong\u003e\u003cbr\u003eThis is an antique repaired fragment. It has visible restoration, silver repair and age-related traces. Please review all photos carefully before purchase.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Note:\u003c\/strong\u003e\u003cbr\u003eIt may be used gently for tea, but we recommend it primarily as a study, display and collectible object.\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Fujian, China\u003cbr\u003e\u003cstrong\u003ePeriod:\u003c\/strong\u003e Described as Song Dynasty\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Jian Ware \/ Tenmoku Cha-wan\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Antique fragment, silver-repaired\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Study \/ display \/ gentle tea use\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic with silver repair\u003cbr\u003e\u003cstrong\u003eBest For:\u003c\/strong\u003e Collectors, tea rooms, Jian ware study, Song aesthetics\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e宋代银补古建盏残器 \u003cstrong style=\"font-size: 0.875rem;\"\u003e｜\u003c\/strong\u003e\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e福建建窑｜银补修复｜适合学习、陈列与轻度使用\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e此件为中国福建建窑古建盏残器，银补修复，描述为宋代器物。\u003c\/p\u003e\n\u003cp\u003e它不是完整器，也不是博物馆级完美品。\u003c\/p\u003e\n\u003cp\u003e它的价值在于：可以近距离观察古建盏的器型、胎底、釉面、烧制痕迹与修复状态。\u003c\/p\u003e\n\u003cp\u003e银补不是为了掩盖残缺，而是让残缺被保留下来。\u003c\/p\u003e\n\u003cp\u003e适合：\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e学习古建盏\u003c\/li\u003e\n\u003cli\u003e茶室陈列\u003c\/li\u003e\n\u003cli\u003e私人收藏\u003c\/li\u003e\n\u003cli\u003e轻度茶席使用\u003c\/li\u003e\n\u003cli\u003e作为宋代建窑审美参考\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e此件有明显修复痕迹与岁月痕迹，购买前请仔细查看照片。\u003c\/p\u003e\n\u003cp\u003e老寨古茶选择这类古器，不是因为它完美，而是因为它真实、有痕迹，也有学习价值。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":32734019485777,"sku":"","price":1000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/products\/webwxgetmsgimg_36.jpg?v=1788187592"},{"product_id":"sun-li-jianzhan-tenmoku-black-glaze-tea-bowl","title":"Sun Li Jianzhan Tenmoku Cha-wan｜Black Glaze Jian Ware Tea Bowl with Certificate｜孙莉 名家建盏","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eA collectible Jian ware cup by Sun Li, daughter of national-level inheritor Sun Jianxing孙建兴, with certificate and unique verification code.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003cstrong\u003e孙莉 建盏作品，附证书与唯一编码，可扫码核验。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis Jian ware cup is a collectible work by \u003cstrong\u003eSun Li\u003c\/strong\u003e, a recognized inheritor and ceramic artist in the Jian ware tradition.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSun Li comes from one of the most important Jian ware lineages in China. Her father, \u003cstrong\u003eSun Jianxing\u003c\/strong\u003e, is listed by China’s national intangible cultural heritage platform as a representative inheritor of the national intangible cultural heritage project \u003cstrong\u003e“Jian Kiln Jian Ware Firing Technique”\u003c\/strong\u003e. The same official source also notes that Sun Li is a Fujian provincial-level inheritor and a provincial arts and crafts master. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJian ware is known for its deep black glaze, iron-rich firing character and naturally formed glaze patterns. Historically, Jian ware reached its height during the Song dynasty, and modern Jian ware has been revived through decades of research and firing practice. Fujian’s official cultural writing describes Jian ware as a representative product of Jian Kiln, with glaze types including black glaze, hare’s fur, oil spot, partridge-feather markings and other variations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis cup comes with its original presentation box, artist information card, product code and QR verification. Each piece carries a unique identity record for authenticity checking.\u003c\/p\u003e\n\u003cp\u003eThe attraction of this piece is not only its use as a tea cup.\u003c\/p\u003e\n\u003cp\u003eIt is a collectible Eastern object shaped by lineage, glaze, firing, authorship and scarcity.\u003c\/p\u003e\n\u003cp\u003eAt Old Village PuEr, we select Jian ware and porcelain not as ordinary tea accessories, but as part of a broader collecting map alongside PuEr, aged tea, zisha and tetsubin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot just for use.\u003cbr\u003eFor long-term appreciation, display and collecting.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e此建盏为 \u003cstrong\u003e孙莉\u003c\/strong\u003e 作品，附原盒、作者资料、唯一产品编码与 QR Code，可作真伪核验。\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e孙莉为国家级非遗项目“建窑建盏烧制技艺”代表性传承人 \u003cstrong\u003e孙建兴\u003c\/strong\u003e 之女。官方资料显示，孙建兴为该国家级非遗项目代表性传承人；孙莉为福建省级传承人、省工艺美术大师。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e这件作品不只是日用茶盏，更适合收藏、陈列与长期欣赏。\u003c\/p\u003e\n\u003cp\u003e老寨古茶选择建盏与瓷器，不看短期热闹，而看作者、釉色、器型、工艺、来源与多年后是否仍然站得住。\u003c\/p\u003e\n\u003ch1 class=\"PDq2pG_selectionAnchorContainer\"\u003eKey Highlights\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sun Li\u003cbr\u003e\u003cstrong\u003eLineage:\u003c\/strong\u003e Daughter of Sun Jianxing 孙建兴, national-level inheritor of Jian Kiln Jian Ware Firing Technique\u003cbr\u003e\u003cstrong\u003eCategory:\u003c\/strong\u003e Jian Ware \/ 建盏\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Black glaze with natural glaze variation\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Tea cup \/ display \/ collectible object\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Product code and QR verification\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e New \/ collector kept\u003cbr\u003e\u003cstrong\u003eOld Village Price:\u003c\/strong\u003e S$1,700\u003cbr\u003e\u003cstrong\u003eArtist Reference Price:\u003c\/strong\u003e RMB 88,000, as supplied by owner — please verify against certificate \/ QR record before using publicly\u003c\/p\u003e\n\u003ch1\u003eProduct Details Table\u003c\/h1\u003e\n\u003cdiv class=\"group TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"last:pe-10\"\u003eItem\u003c\/th\u003e\n\u003cth class=\"last:pe-10\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Name\u003c\/td\u003e\n\u003ctd\u003eSun Li Master Jian Ware Cup\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e中文名称\u003c\/td\u003e\n\u003ctd\u003e孙莉名家建盏\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtist\u003c\/td\u003e\n\u003ctd\u003eSun Li 孙莉\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLineage\u003c\/td\u003e\n\u003ctd\u003eDaughter of Sun Jianxing 孙建兴\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCategory\u003c\/td\u003e\n\u003ctd\u003eJian Ware \/ Chinese Ceramic Collectible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGlaze\u003c\/td\u003e\n\u003ctd\u003eBlack glaze with natural firing pattern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncludes\u003c\/td\u003e\n\u003ctd\u003eOriginal box, artist card, product code, QR verification\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eTea, display, private collection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice\u003c\/td\u003e\n\u003ctd\u003eS$1,700\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReference\u003c\/td\u003e\n\u003ctd\u003eArtist reference price supplied: RMB 88,000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60260912496721,"sku":null,"price":1700.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-08-31at1.05.50PM.jpg?v=1788187026"},{"product_id":"xu-yafeng-jxfn-sk","title":"Xu Yafeng Jianzhan Tenmoku Cha-wan｜Jin Xiu Fei Niao Wood-Fired Jian Ware｜中国工艺美术大师 徐亚凤 · 锦绣飞鸟 建盏 束口盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA Wood-Fired Jian Ware Work by Chinese Arts \u0026amp; Crafts Grand Master Xu Yafeng\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis \u003cstrong\u003eJin Xiu Fei Niao (锦绣飞鸟)\u003c\/strong\u003e Jianzhan is an individually registered work by \u003cstrong\u003eXu Yafeng (徐亚凤)\u003c\/strong\u003e, one of China's nationally recognised \u003cstrong\u003eChinese Arts \u0026amp; Crafts Masters (中国工艺美术大师)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePresented in the traditional \u003cstrong\u003eShu Kou (束口)\u003c\/strong\u003e form, the piece belongs to the \u003cstrong\u003eGongyu Gongwan (供御贡碗)\u003c\/strong\u003e collection and is fired using the \u003cstrong\u003ewood-firing (柴烧)\u003c\/strong\u003e process.\u003c\/p\u003e\n\u003cp\u003eIts richly developed crystalline surface is created naturally in the kiln. Gold, bronze and dark metallic tones move across the bowl, forming patterns reminiscent of feathers and birds in flight — the inspiration behind the name \u003cstrong\u003eJin Xiu Fei Niao, “Splendid Flying Birds.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo two firings produce exactly the same result.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe piece photographed is the exact piece you will receive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout Xu Yafeng 徐亚凤\u003c\/h3\u003e\n\u003cp\u003eBorn in Jingdezhen in 1940, Xu Yafeng comes from an exceptional lineage of Chinese ceramic artists.\u003c\/p\u003e\n\u003cp\u003eHer grandfather, \u003cstrong\u003eXu Zhongnan (徐仲南)\u003c\/strong\u003e, was one of the renowned \u003cstrong\u003eEight Friends of Zhushan (珠山八友)\u003c\/strong\u003e. She also studied under the influence of her uncle \u003cstrong\u003eLiu Yucen (刘雨岑)\u003c\/strong\u003e, another member of the Eight Friends of Zhushan and a celebrated master of flower-and-bird porcelain painting.\u003c\/p\u003e\n\u003cp\u003eIn 1975, Xu Yafeng participated in the creation of the historically important \u003cstrong\u003e“7501” porcelain\u003c\/strong\u003e, commissioned for Chairman Mao Zedong. She became closely associated with its celebrated \u003cstrong\u003eShuidian Taohua (水点桃花)\u003c\/strong\u003e decoration.\u003c\/p\u003e\n\u003cp\u003eXu Yafeng was later recognised as a \u003cstrong\u003eChinese Arts \u0026amp; Crafts Master\u003c\/strong\u003e, establishing an important position in contemporary Jingdezhen ceramic art in her own right.\u003c\/p\u003e\n\u003cp\u003eShe is also the wife of \u003cstrong\u003eZhang Songmao (张松茂)\u003c\/strong\u003e, another Chinese Arts \u0026amp; Crafts Master, making them one of the notable master-artist couples in modern Jingdezhen ceramics.\u003c\/p\u003e\n\u003ch3\u003eJin Xiu Fei Niao 锦绣飞鸟\u003c\/h3\u003e\n\u003cp\u003eThe beauty of this work is not painted onto its surface.\u003c\/p\u003e\n\u003cp\u003eThrough wood firing, heat, flame, glaze and kiln atmosphere interact to create its crystalline markings naturally.\u003c\/p\u003e\n\u003cp\u003eViewed from different angles and under changing light, the surface reveals layers of metallic gold, bronze, silver-dark tones and fine feather-like formations.\u003c\/p\u003e\n\u003cp\u003eThese uncontrolled variations are part of the character of a genuine kiln-transformed work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach piece is unique.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eShu Kou 束口\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eShu Kou\u003c\/strong\u003e, or constricted-rim form, is one of the characteristic forms associated with Jian tea bowls.\u003c\/p\u003e\n\u003cp\u003eIts full body rises towards a subtly inward-constricted mouth, creating a balanced profile while concentrating attention on the glaze inside the bowl.\u003c\/p\u003e\n\u003cp\u003eFor this piece, the restrained form provides a strong contrast to the highly expressive \u003cstrong\u003eJin Xiu Fei Niao\u003c\/strong\u003e crystalline surface.\u003c\/p\u003e\n\u003ch2\u003eIndividual Authentication\u003c\/h2\u003e\n\u003cp\u003eThis is not a generic production piece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach Xu Yafeng work carries its own unique identification number and individual WeChat QR code for verification.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe identification number and QR code may be partially obscured in our public photographs for authentication and provenance protection.\u003c\/p\u003e\n\u003cp\u003eThe collector will receive the original work with its corresponding identification information intact.\u003c\/p\u003e\n\u003ch3\u003eWork Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Xu Yafeng 徐亚凤\u003cbr\u003e\u003cstrong\u003eWork \/ Glaze:\u003c\/strong\u003e Jin Xiu Fei Niao 锦绣飞鸟\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Gongyu Gongwan 供御贡碗\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Shu Kou 束口盏\u003cbr\u003e\u003cstrong\u003eFiring:\u003c\/strong\u003e Wood-Fired 柴烧\u003cbr\u003e\u003cstrong\u003eCategory:\u003c\/strong\u003e Jianzhan \/ Jian Ware \/ Tenmoku Cha-wan\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Individually registered\u003cbr\u003e\u003cstrong\u003eIdentification:\u003c\/strong\u003e Unique identification number\u003cbr\u003e\u003cstrong\u003eVerification:\u003c\/strong\u003e Individual WeChat QR code\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eCollector's Note\u003c\/h3\u003e\n\u003cp\u003eXu Yafeng's significance is not derived simply from being the wife of Zhang Songmao.\u003c\/p\u003e\n\u003cp\u003eHer own artistic lineage reaches back to the \u003cstrong\u003eEight Friends of Zhushan\u003c\/strong\u003e, her career intersects with the historically important \u003cstrong\u003e7501 porcelain\u003c\/strong\u003e, and she subsequently established her own standing as a Chinese Arts \u0026amp; Crafts Master.\u003c\/p\u003e\n\u003cp\u003eThis work therefore combines two qualities collectors look for:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ean individually authenticated work by an established master, and the unrepeatable character of wood-fired Jian Ware.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor established master works, availability is often more important than discounting. Each authenticated piece exists individually, and acquiring another with the same form and kiln result cannot be assumed once the present work is sold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne work. One identification number. One authentication record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003ePrice \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSingapore Price: S$1,000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChina reference price for this work: \u003cstrong\u003eRMB 5,200\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOur Singapore price is based on direct currency conversion, \u003cstrong\u003ewithout an additional collector premium and without promotional discounting\u003c\/strong\u003e.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e中国工艺美术大师 徐亚凤｜锦绣飞鸟 · 束口盏\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e徐亚凤，1940年生于景德镇，中国工艺美术大师。祖父徐仲南为“珠山八友”之一，舅父刘雨岑亦为“珠山八友”名家。徐亚凤早年随刘雨岑学习粉彩花鸟，并于1975年参与著名的“7501瓷”创作，与其中极具代表性的“水点桃花”有深厚渊源。\u003c\/p\u003e\n\u003cp\u003e她与中国工艺美术大师张松茂伉俪二人，均在当代景德镇陶瓷艺术史上占有重要位置。\u003c\/p\u003e\n\u003ch3\u003e锦绣飞鸟 · 柴烧\u003c\/h3\u003e\n\u003cp\u003e本件作品釉色为 “锦绣飞鸟”\u003cstrong\u003e，属\u003c\/strong\u003e供御贡碗\u003cstrong\u003e系列，采用 \u003c\/strong\u003e柴烧 工艺。\u003c\/p\u003e\n\u003cp\u003e高温、火焰、釉料与窑内气氛共同形成自然结晶。金、褐及深色金属光泽层层交错，纹理如羽翼舒展、飞鸟掠过。\u003c\/p\u003e\n\u003cp\u003e柴烧窑变不可复制，因此即使同一釉色、同一器型，每件作品的结晶、火痕与色泽也各不相同。\u003c\/p\u003e\n\u003cp\u003e本件为\u003cstrong\u003e束口盏\u003c\/strong\u003e，器身饱满，口沿微收，整体沉稳而内敛。\u003c\/p\u003e\n\u003ch3\u003e一器一证 · 独立认证\u003c\/h3\u003e\n\u003cp\u003e每件徐亚凤大师作品均拥有：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e独立作品识别编号\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e独立微信 QR Code 验证\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e为保护作品认证及来源信息，网站公开图片中的完整识别编号及 QR Code 将作部分遮挡处理；随作品提供的原始认证信息保持完整，可供收藏者验证。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e网站实拍即实际出售作品，一件一号，仅此一件。\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e作品资料\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 徐亚凤\u003cbr\u003e\u003cstrong\u003e身份：\u003c\/strong\u003e 中国工艺美术大师\u003cbr\u003e\u003cstrong\u003e作品\/釉色：\u003c\/strong\u003e 锦绣飞鸟\u003cbr\u003e\u003cstrong\u003e系列：\u003c\/strong\u003e 供御贡碗\u003cbr\u003e\u003cstrong\u003e器型：\u003c\/strong\u003e 束口盏\u003cbr\u003e\u003cstrong\u003e烧制：\u003c\/strong\u003e 柴烧\u003cbr\u003e\u003cstrong\u003e类别：\u003c\/strong\u003e 建盏 \/ Jian Ware \/ Tenmoku Cha-wan\u003cbr\u003e\u003cstrong\u003e认证：\u003c\/strong\u003e 独立作品识别编号及微信 QR Code\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e 仅此一件\u003c\/p\u003e\n\u003ch3\u003e收藏说明\u003c\/h3\u003e\n\u003cp\u003e徐亚凤的收藏价值，并不依附于张松茂。\u003c\/p\u003e\n\u003cp\u003e从祖父徐仲南、舅父刘雨岑所代表的“珠山八友”一脉，到“7501瓷”，再到徐亚凤本人获评中国工艺美术大师，她拥有自己清晰而完整的艺术传承与历史位置。\u003c\/p\u003e\n\u003cp\u003e这件作品同时具备：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e大师创作身份 + 独立认证 + 柴烧不可复制性。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一器一号，一器一证。售出之后，同样的窑变无法再复制。\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e价格\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eS$1,000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e中国作品参考价：\u003cstrong\u003eRMB 5,200\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e新加坡售价按中国作品价格直接折算，\u003cstrong\u003e不另加收藏溢价，不作促销折扣。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60268927451217,"sku":null,"price":1000.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-08-31at6.54.36PM.jpg?v=1788252626"},{"product_id":"xu-yafeng-jianzhan-tenmoku-cha-wan-jin-xiu-fei-niao-wood-fired-jian-ware-中国工艺美术大师-徐亚凤-锦绣飞鸟-百花盏","title":"Xu Yafeng Jianzhan Tenmoku Cha-wan｜Jin Xiu Fei Niao Wood-Fired Jian Ware｜中国工艺美术大师 徐亚凤 · 锦绣飞鸟 百花盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA Wood-Fired Jian Ware Work by Chinese Arts \u0026amp; Crafts Grand Master Xu Yafeng\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis \u003cstrong\u003eJin Xiu Fei Niao (锦绣飞鸟)\u003c\/strong\u003e Jianzhan is an individually registered work by \u003cstrong\u003eXu Yafeng (徐亚凤)\u003c\/strong\u003e, one of China's nationally recognised \u003cstrong\u003eChinese Arts \u0026amp; Crafts Masters (中国工艺美术大师)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePresented in the traditional \u003cstrong\u003eBai Hua (百花)\u003c\/strong\u003e form, the piece belongs to the \u003cstrong\u003eGongyu Gongwan (供御贡碗)\u003c\/strong\u003e collection and is fired using the \u003cstrong\u003ewood-firing (柴烧)\u003c\/strong\u003e process.\u003c\/p\u003e\n\u003cp\u003eIts richly developed crystalline surface is created naturally in the kiln. Gold, bronze and dark metallic tones move across the bowl, forming patterns reminiscent of feathers and birds in flight — the inspiration behind the name \u003cstrong\u003eJin Xiu Fei Niao, “Splendid Flying Birds.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo two firings produce exactly the same result.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe piece photographed is the exact piece you will receive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout Xu Yafeng 徐亚凤\u003c\/h3\u003e\n\u003cp\u003eBorn in Jingdezhen in 1940, Xu Yafeng comes from an exceptional lineage of Chinese ceramic artists.\u003c\/p\u003e\n\u003cp\u003eHer grandfather, \u003cstrong\u003eXu Zhongnan (徐仲南)\u003c\/strong\u003e, was one of the renowned \u003cstrong\u003eEight Friends of Zhushan (珠山八友)\u003c\/strong\u003e. She also studied under the influence of her uncle \u003cstrong\u003eLiu Yucen (刘雨岑)\u003c\/strong\u003e, another member of the Eight Friends of Zhushan and a celebrated master of flower-and-bird porcelain painting.\u003c\/p\u003e\n\u003cp\u003eIn 1975, Xu Yafeng participated in the creation of the historically important \u003cstrong\u003e“7501” porcelain\u003c\/strong\u003e, commissioned for Chairman Mao Zedong. She became closely associated with its celebrated \u003cstrong\u003eShuidian Taohua (水点桃花)\u003c\/strong\u003e decoration.\u003c\/p\u003e\n\u003cp\u003eXu Yafeng was later recognised as a \u003cstrong\u003eChinese Arts \u0026amp; Crafts Master\u003c\/strong\u003e, establishing an important position in contemporary Jingdezhen ceramic art in her own right.\u003c\/p\u003e\n\u003cp\u003eShe is also the wife of \u003cstrong\u003eZhang Songmao (张松茂)\u003c\/strong\u003e, another Chinese Arts \u0026amp; Crafts Master, making them one of the notable master-artist couples in modern Jingdezhen ceramics.\u003c\/p\u003e\n\u003ch3\u003eJin Xiu Fei Niao 锦绣飞鸟\u003c\/h3\u003e\n\u003cp\u003eThe beauty of this work is not painted onto its surface.\u003c\/p\u003e\n\u003cp\u003eThrough wood firing, heat, flame, glaze and kiln atmosphere interact to create its crystalline markings naturally.\u003c\/p\u003e\n\u003cp\u003eViewed from different angles and under changing light, the surface reveals layers of metallic gold, bronze, silver-dark tones and fine feather-like formations.\u003c\/p\u003e\n\u003cp\u003eThese uncontrolled variations are part of the character of a genuine kiln-transformed work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach piece is unique.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eBai Hua Form\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eBai Hua (百花)\u003c\/strong\u003e form gives this work a more open and expansive presence than the Shu Kou piece in the same collection.\u003c\/p\u003e\n\u003cp\u003eIts broader visual field allows the crystalline transformation to become the dominant feature of the bowl, particularly when viewed from above.\u003c\/p\u003e\n\u003cp\u003eThe relationship between form and glaze is important here: the quieter geometry of the vessel gives the highly active \u003cstrong\u003eJin Xiu Fei Niao\u003c\/strong\u003e surface room to unfold.\u003c\/p\u003e\n\u003cp\u003eThis individual work is classified as:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGongyu Gongwan 供御贡碗\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBai Hua 百花盏\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWood-Fired 柴烧\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eIndividual Authentication\u003c\/h2\u003e\n\u003cp\u003eThis is not a generic production piece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEach Xu Yafeng work carries its own unique identification number and individual WeChat QR code for verification.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe identification number and QR code may be partially obscured in our public photographs for authentication and provenance protection.\u003c\/p\u003e\n\u003cp\u003eThe collector will receive the original work with its corresponding identification information intact.\u003c\/p\u003e\n\u003ch3\u003eWork Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Xu Yafeng 徐亚凤\u003cbr\u003e\u003cstrong\u003eWork \/ Glaze:\u003c\/strong\u003e Jin Xiu Fei Niao 锦绣飞鸟\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Gongyu Gongwan 供御贡碗\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Shu Kou 束口盏\u003cbr\u003e\u003cstrong\u003eFiring:\u003c\/strong\u003e Wood-Fired 柴烧\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Approx. \u003cstrong\u003eØ 91 × H 40 mm\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCategory:\u003c\/strong\u003e Jianzhan \/ Jian Ware \/ Tenmoku Cha-wan\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Individually registered\u003cbr\u003e\u003cstrong\u003eIdentification:\u003c\/strong\u003e Unique identification number\u003cbr\u003e\u003cstrong\u003eVerification:\u003c\/strong\u003e Individual WeChat QR code\u003c\/p\u003e\n\u003ch3\u003eCollector's Note\u003c\/h3\u003e\n\u003cp\u003eXu Yafeng's significance is not derived simply from being the wife of Zhang Songmao.\u003c\/p\u003e\n\u003cp\u003eHer own artistic lineage reaches back to the \u003cstrong\u003eEight Friends of Zhushan\u003c\/strong\u003e, her careerm intersects with the historically important \u003cstrong\u003e7501 porcelain\u003c\/strong\u003e, and she subsequently established her own standing as a Chinese Arts \u0026amp; Crafts Master.\u003c\/p\u003e\n\u003cp\u003eThis work therefore combines two qualities collectors look for:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ean individually authenticated work by an established master, and the unrepeatable character of wood-fired Jian Ware.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor established master works, availability is often more important than discounting. Each authenticated piece exists individually, and acquiring another with the same form and kiln result cannot be assumed once the present work is sold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne work. One identification number. One authentication record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003ePrice \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSingapore Price: S$1,000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChina reference price for this work: \u003cstrong\u003eRMB 5,200\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOur Singapore price is based on direct currency conversion, \u003cstrong\u003ewithout an additional collector premium and without promotional discounting\u003c\/strong\u003e.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e中国工艺美术大师 徐亚凤｜锦绣飞鸟 · 束口盏\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e徐亚凤，1940年生于景德镇，中国工艺美术大师。祖父徐仲南为“珠山八友”之一，舅父刘雨岑亦为“珠山八友”名家。徐亚凤早年随刘雨岑学习粉彩花鸟，并于1975年参与著名的“7501瓷”创作，与其中极具代表性的“水点桃花”有深厚渊源。\u003c\/p\u003e\n\u003cp\u003e她与中国工艺美术大师张松茂伉俪二人，均在当代景德镇陶瓷艺术史上占有重要位置。\u003c\/p\u003e\n\u003ch3\u003e锦绣飞鸟 · 柴烧\u003c\/h3\u003e\n\u003cp\u003e本件作品釉色为 “锦绣飞鸟”\u003cstrong\u003e，属\u003c\/strong\u003e供御贡碗\u003cstrong\u003e系列，采用 \u003c\/strong\u003e柴烧 工艺。\u003c\/p\u003e\n\u003cp\u003e高温、火焰、釉料与窑内气氛共同形成自然结晶。金、褐及深色金属光泽层层交错，纹理如羽翼舒展、飞鸟掠过。\u003c\/p\u003e\n\u003cp\u003e柴烧窑变不可复制，因此即使同一釉色、同一器型，每件作品的结晶、火痕与色泽也各不相同。\u003c\/p\u003e\n\u003cp\u003e本件为\u003cstrong\u003e束口盏\u003c\/strong\u003e，器身饱满，口沿微收，整体沉稳而内敛。\u003c\/p\u003e\n\u003ch3\u003e一器一证 · 独立认证\u003c\/h3\u003e\n\u003cp\u003e每件徐亚凤大师作品均拥有：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e独立作品识别编号\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e独立微信 QR Code 验证\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e为保护作品认证及来源信息，网站公开图片中的完整识别编号及 QR Code 将作部分遮挡处理；随作品提供的原始认证信息保持完整，可供收藏者验证。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e网站实拍即实际出售作品，一件一号，仅此一件。\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e作品资料\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 徐亚凤\u003cbr\u003e\u003cstrong\u003e身份：\u003c\/strong\u003e 中国工艺美术大师\u003cbr\u003e\u003cstrong\u003e作品\/釉色：\u003c\/strong\u003e 锦绣飞鸟\u003cbr\u003e\u003cstrong\u003e系列：\u003c\/strong\u003e 供御贡碗\u003cbr\u003e\u003cstrong\u003e器型：\u003c\/strong\u003e 束口盏\u003cbr\u003e\u003cstrong\u003e烧制：\u003c\/strong\u003e 柴烧\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e口径 9 × 高 4 cm\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e类别：\u003c\/strong\u003e 建盏 \/ Jian Ware \/ Tenmoku Cha-wan\u003cbr\u003e\u003cstrong\u003e认证：\u003c\/strong\u003e 独立作品识别编号及微信 QR Code\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e 仅此一件\u003c\/p\u003e\n\u003ch3\u003e收藏说明\u003c\/h3\u003e\n\u003cp\u003e徐亚凤的收藏价值，并不依附于张松茂。\u003c\/p\u003e\n\u003cp\u003e从祖父徐仲南、舅父刘雨岑所代表的“珠山八友”一脉，到“7501瓷”，再到徐亚凤本人获评中国工艺美术大师，她拥有自己清晰而完整的艺术传承与历史位置。\u003c\/p\u003e\n\u003cp\u003e这件作品同时具备：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e大师创作身份 + 独立认证 + 柴烧不可复制性。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一器一号，一器一证。售出之后，同样的窑变无法再复制。\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e价格\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eS$1,000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e中国作品参考价：\u003cstrong\u003eRMB 5,200\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e新加坡售价按中国作品价格直接折算，\u003cstrong\u003e不另加收藏溢价，不作促销折扣。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60268955140177,"sku":null,"price":1000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsApp_Image_2026-08-31_at_2.02.09_PM.jpg?v=1788253458"},{"product_id":"xu-yafeng-jingdezhen-porcelain-loquat-magpie","title":"Xu Yafeng Jingdezhen Porcelain Tea Cup – Loquat \u0026 Magpie｜中国工艺美术大师 徐亚凤 · 枇杷喜鹊 闻香杯","description":"\u003ch3\u003eA One-of-a-Kind Jingdezhen Porcelain Work by Chinese Arts \u0026amp; Crafts Grand Master Xu Yafeng\u003c\/h3\u003e\n\u003cp\u003eThis individually registered porcelain tea cup is a work by \u003cstrong\u003eXu Yafeng (徐亚凤)\u003c\/strong\u003e, a nationally recognised \u003cstrong\u003eChinese Arts \u0026amp; Crafts Master\u003c\/strong\u003e and an important figure in modern Jingdezhen ceramic art.\u003c\/p\u003e\n\u003cp\u003eNamed \u003cstrong\u003eLoquat \u0026amp; Magpie (枇杷喜鹊)\u003c\/strong\u003e, the work brings together two elements closely associated with Xu Yafeng's artistic language: delicate flower-and-bird painting and refined Jingdezhen porcelain.\u003c\/p\u003e\n\u003cp\u003eA magpie rests quietly among branches of ripe golden loquats, painted with an unusually restrained palette. Rather than overwhelming the vessel with decoration, the composition leaves generous open space around the bird and fruit.\u003c\/p\u003e\n\u003cp\u003eThe result is elegant, intimate and distinctly Chinese.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe piece photographed is the exact piece you will receive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eMore Than a Painted Tea Cup\u003c\/h3\u003e\n\u003cp\u003eThe character of this work changes as the cup is turned.\u003c\/p\u003e\n\u003cp\u003eThe exterior combines the \u003cstrong\u003eLoquat \u0026amp; Magpie\u003c\/strong\u003e painting with contrasting glazed surfaces, while the interior reveals a striking transition between warm brown and pale grey-white tones.\u003c\/p\u003e\n\u003cp\u003eThe gold-toned rim and raised foot complete the composition.\u003c\/p\u003e\n\u003cp\u003eFrom one angle, it is a traditional Jingdezhen flower-and-bird work.\u003c\/p\u003e\n\u003cp\u003eFrom another, it becomes unexpectedly contemporary.\u003c\/p\u003e\n\u003cp\u003eThis combination is particularly interesting in the work of Xu Yafeng: a ceramic artist whose roots lie deeply within the traditional Jingdezhen flower-and-bird lineage, presented here through a vessel intended to be held and experienced at close range.\u003c\/p\u003e\n\u003ch3\u003eAbout Xu Yafeng\u003c\/h3\u003e\n\u003cp\u003eBorn in Jingdezhen in 1940, \u003cstrong\u003eXu Yafeng\u003c\/strong\u003e comes from one of the important artistic lineages of modern Jingdezhen porcelain.\u003c\/p\u003e\n\u003cp\u003eHer grandfather, \u003cstrong\u003eXu Zhongnan (徐仲南)\u003c\/strong\u003e, was one of the celebrated \u003cstrong\u003eEight Friends of Zhushan (珠山八友)\u003c\/strong\u003e. Her uncle \u003cstrong\u003eLiu Yucen (刘雨岑)\u003c\/strong\u003e, also one of the Eight Friends of Zhushan, became an important influence on her flower-and-bird painting.\u003c\/p\u003e\n\u003cp\u003eIn 1975, Xu Yafeng participated in the creation of the historically significant \u003cstrong\u003e“7501” porcelain\u003c\/strong\u003e commissioned for Chairman Mao Zedong, and is closely associated with its celebrated \u003cstrong\u003eShuidian Taohua (水点桃花)\u003c\/strong\u003e decoration.\u003c\/p\u003e\n\u003cp\u003eShe later established her own standing as a \u003cstrong\u003eChinese Arts \u0026amp; Crafts Master (中国工艺美术大师)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eHer husband, \u003cstrong\u003eZhang Songmao (张松茂)\u003c\/strong\u003e, is also a Chinese Arts \u0026amp; Crafts Master. Both hold independent and important positions within contemporary Jingdezhen ceramic art.\u003c\/p\u003e\n\u003ch3\u003eIndividual Authentication\u003c\/h3\u003e\n\u003cp\u003eThis is an \u003cstrong\u003eindividually registered work\u003c\/strong\u003e, not a generic production piece.\u003c\/p\u003e\n\u003cp\u003eEach work carries its own:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnique identification number\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIndividual WeChat QR code for verification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor authentication and provenance protection, the complete identification number and QR code are partially obscured in photographs published on our website.\u003c\/p\u003e\n\u003cp\u003eThe original identification information accompanying the actual work remains complete and verifiable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne work. One identification number. One authentication record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eWork Details\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Xu Yafeng 徐亚凤\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Loquat \u0026amp; Magpie 枇杷喜鹊\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Aroma Tea Cup 手握闻香杯\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jingdezhen, China 景德镇\u003cbr\u003e\u003cstrong\u003eCategory:\u003c\/strong\u003e Jingdezhen Porcelain \/ Chinese Art Porcelain\u003cbr\u003e\u003cstrong\u003eArtist Status:\u003c\/strong\u003e Chinese Arts \u0026amp; Crafts Master 中国工艺美术大师\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Individually registered\u003cbr\u003e\u003cstrong\u003eIdentification:\u003c\/strong\u003e Unique identification number\u003cbr\u003e\u003cstrong\u003eVerification:\u003c\/strong\u003e Individual WeChat QR code\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiameter: 65mm;  \u003c\/strong\u003e\u003cstrong\u003eHeight 60mm\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAvailability:\u003c\/strong\u003e \u003cstrong\u003eOne piece only\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eChina Reference Price:\u003c\/strong\u003e \u003cstrong\u003eRMB 16,888\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch3\u003eCollector's Note\u003c\/h3\u003e\n\u003cp\u003eFor collectors of Xu Yafeng, this work has a different significance from her \u003cstrong\u003eJin Xiu Fei Niao Jianzhan\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Jian Zhan works emphasise the unpredictability of glaze and kiln transformation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoquat \u0026amp; Magpie brings the collection back to Xu Yafeng's own artistic roots — Jingdezhen flower-and-bird porcelain.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHer artistic lineage, from Xu Zhongnan and Liu Yucen through her own involvement with the historic 7501 porcelain, makes flower-and-bird work particularly relevant when building a representative Xu Yafeng collection.\u003c\/p\u003e\n\u003cp\u003eIt is therefore not simply a beautiful tea cup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt connects more directly with the artistic tradition for which Xu Yafeng is historically known.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e中国工艺美术大师 徐亚凤｜枇杷喜鹊 · 手握闻香杯\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e徐亚凤，中国工艺美术大师，景德镇当代陶瓷艺术重要代表人物之一。\u003c\/p\u003e\n\u003cp\u003e祖父徐仲南、舅父刘雨岑均为著名“珠山八友”成员。1975年，徐亚凤参与著名“7501瓷”创作，其艺术传承与景德镇传统花鸟瓷一脉相承。\u003c\/p\u003e\n\u003cp\u003e本件作品名为**《枇杷喜鹊》**。\u003c\/p\u003e\n\u003cp\u003e枝头硕果金黄，一只喜鹊栖于枝间；画面清雅克制，大面积留白与杯身不同釉色相互映衬。转动杯身，可见绘画、釉色及内壁色彩随角度发生变化。\u003c\/p\u003e\n\u003cp\u003e作品拥有\u003cstrong\u003e独立识别编号及微信 QR Code 验证\u003c\/strong\u003e。公开图片中的完整编号及二维码将作遮挡处理，原始认证信息随作品完整保留。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一器一号，一器一证。网站实拍即实际出售作品，仅此一件。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 徐亚凤\u003cbr\u003e\u003cstrong\u003e作品：\u003c\/strong\u003e 枇杷喜鹊\u003cbr\u003e\u003cstrong\u003e器型：\u003c\/strong\u003e 手握闻香杯\u003cbr\u003e\u003cstrong\u003e产地：\u003c\/strong\u003e 中国景德镇\u003cbr\u003e\u003cstrong\u003e认证：\u003c\/strong\u003e 独立识别编号及微信 QR Code\u003c\/p\u003e\n\u003cp\u003e64mm 口径，58mm高\u003cbr\u003e\u003cstrong\u003e中国参考价：\u003c\/strong\u003e RMB 16,888\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e 仅此一件\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60269377454161,"sku":null,"price":3250.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_121517.jpg?v=1788523589"},{"product_id":"zhang-songmao-jingdezhen-porcelain","title":"Zhang Songmao Jingdezhen Porcelain Tea Cup – Three Visits to the Thatched Cottage｜中国工艺美术大师 张松茂 · 三顾茅庐 风雪访贤 扳指杯","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA Masterwork, Reinterpreted for Tea\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis individually registered Jingdezhen porcelain tea cup by \u003cstrong\u003eZhang Songmao (张松茂)\u003c\/strong\u003e recreates imagery from one of the artist's landmark works, \u003cstrong\u003eThree Visits to the Thatched Cottage (三顾茅庐)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIn 2010, Zhang Songmao's monumental porcelain plaque painting of the same title was acquired by a Beijing collector for \u003cstrong\u003eRMB 13 million\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAccording to the accompanying artist documentation, the acquisition marked the beginning of the \u003cstrong\u003eRMB 10-million era for a single work of contemporary Jingdezhen art porcelain\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eHere, that celebrated composition is reinterpreted on a \u003cstrong\u003eBanzhi-form tea cup\u003c\/strong\u003e — a much more intimate format, made to be held, viewed and appreciated at close range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA recognised Zhang Songmao composition, in a collectible form made for tea.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eWhy This Piece Matters\u003c\/h3\u003e\n\u003cp\u003eThis is not simply a tea cup decorated with a traditional Chinese scene.\u003c\/p\u003e\n\u003cp\u003eIts significance lies in the artist, the composition and its provenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eZhang Songmao\u003c\/strong\u003e is a Chinese Arts \u0026amp; Crafts Master and one of the major figures of contemporary Jingdezhen ceramic art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Visits to the Thatched Cottage\u003c\/strong\u003e is one of his recognised compositions, with the 2010 porcelain plaque work documented at \u003cstrong\u003eRMB 13 million\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis individual cup is independently registered with its own \u003cstrong\u003eunique identification number and QR verification\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAnd unlike the RMB 13-million original work, this interpretation brings an important Zhang Songmao composition into a scale that can become part of a serious tea and ceramic collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe piece photographed is the exact piece offered for collection.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eIndividual Authentication\u003c\/h3\u003e\n\u003cp\u003eEach registered work carries its own \u003cstrong\u003eunique identification number and QR verification\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor provenance protection, the complete identification information is obscured in our public photographs. The original verification information remains with the work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne work. One identification number. One authentication record.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eWork Details\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Zhang Songmao 张松茂\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Three Visits to the Thatched Cottage · Visiting the Worthy in Wind and Snow\u003cbr\u003e\u003cstrong\u003e作品：\u003c\/strong\u003e 三顾茅庐 · 风雪访贤\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Banzhi Cup 扳指杯\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jingdezhen, China\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Approx. Ø 90 × H 53 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist Status:\u003c\/strong\u003e Chinese Arts \u0026amp; Crafts Master 中国工艺美术大师\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Individually registered\u003cbr\u003e\u003cstrong\u003eVerification:\u003c\/strong\u003e Unique identification number \u0026amp; QR code\u003cbr\u003e\u003cstrong\u003eChina Reference Price:\u003c\/strong\u003e RMB 68,000\u003cbr\u003e\u003cstrong\u003eSingapore Price:\u003c\/strong\u003e \u003cstrong\u003eS$13,080\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAvailability:\u003c\/strong\u003e \u003cstrong\u003eOne piece only\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eFor the Collector\u003c\/h3\u003e\n\u003cp\u003eCollectors of established masters eventually face the same question:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot whether another work will appear — but whether this is the work worth securing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis piece combines three things rarely found together in a tea vessel:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eZhang Songmao. An important recognised composition. Individual authentication.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original \u003cem\u003eThree Visits to the Thatched Cottage\u003c\/em\u003e entered a major collection at RMB 13 million.\u003c\/p\u003e\n\u003cp\u003eThis individually registered interpretation is available at \u003cstrong\u003eS$13,080\u003c\/strong\u003e, directly converted from its \u003cstrong\u003eRMB 68,000 China reference price\u003c\/strong\u003e, without an additional overseas collector premium.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOnce this registered piece is sold, this exact work cannot be replaced.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e大师名作，入于一盏\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e本件为中国工艺美术大师\u003cstrong\u003e张松茂\u003c\/strong\u003e景德镇陶瓷作品，以其代表性作品《\u003cstrong\u003e三顾茅庐\u003c\/strong\u003e》为创作题材，于扳指杯上重新呈现经典画面。\u003c\/p\u003e\n\u003cp\u003e随附资料记载，张松茂2010年创作的瓷板画《三顾茅庐》，被北京收藏家以\u003cstrong\u003e人民币1,300万元\u003c\/strong\u003e购藏，并由此“开创了当代景德镇单件艺术瓷千万元时代”。\u003c\/p\u003e\n\u003cp\u003e这一次，经典作品浓缩于掌中一盏。\u003c\/p\u003e\n\u003ch3\u003e收藏价值\u003c\/h3\u003e\n\u003cp\u003e它不只是一只茶杯。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e中国工艺美术大师张松茂\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e《三顾茅庐》经典题材\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e独立作品识别编号\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e独立 QR Code 验证\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e仅此一件，实物实拍\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e公开图片将对完整识别编号及 QR Code 作适当遮挡，原始认证资料随作品保留。\u003c\/p\u003e\n\u003ch3\u003e作品资料\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 张松茂\u003cbr\u003e\u003cstrong\u003e作品：\u003c\/strong\u003e 三顾茅庐 · 风雪访贤\u003cbr\u003e\u003cstrong\u003e器型：\u003c\/strong\u003e 扳指杯\u003cbr\u003e\u003cstrong\u003e产地：\u003c\/strong\u003e 中国景德镇\u003cbr\u003e\u003cstrong\u003e尺寸：\u003c\/strong\u003e 口径约92mm × 高53mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e身份：\u003c\/strong\u003e 中国工艺美术大师\u003cbr\u003e\u003cstrong\u003e中国参考价：\u003c\/strong\u003e RMB 68,000\u003cbr\u003e\u003cstrong\u003e新加坡售价：\u003c\/strong\u003e \u003cstrong\u003eS$13,080\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e \u003cstrong\u003e仅此一件\u003c\/strong\u003e - 张松茂作品，市面上一件难求。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一器一号，一器一证。售出之后，这一件就没有了。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60269743046737,"sku":null,"price":13080.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_121903.jpg?v=1788524274"},{"product_id":"wanghuaijun-porcelain","title":"Wang Huaijun 1997 Singapore Exhibition Porcelain Vase – Nüwa Lianshi｜中国工艺美术大师 王怀俊 · 女娲炼石图 原装展件","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eAn Original 1997 Singapore Exhibition Piece\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis is not simply a porcelain vase by \u003cstrong\u003eWang Huaijun (王怀俊)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt is an original work from his \u003cstrong\u003e1997 Singapore exhibition\u003c\/strong\u003e, preserved in Singapore for nearly three decades with documented provenance.\u003c\/p\u003e\n\u003cp\u003eThe large-format vase depicts \u003cstrong\u003eNüwa Lianshi (女娲炼石图)\u003c\/strong\u003e, an accomplished example of Wang Huaijun's celebrated figure painting.\u003c\/p\u003e\n\u003cp\u003eExecuted during the mature period of his career, the work combines finely controlled figure painting with the lyrical lines, expression and spirit for which his porcelain figures are particularly admired.\u003c\/p\u003e\n\u003cp\u003eMost importantly, the history of this individual work is documented.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe vase. The original certificate. The photograph of Master Wang Huaijun holding this exact work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll three remain together today.\u003c\/p\u003e\n\u003ch3\u003eDocumented Provenance\u003c\/h3\u003e\n\u003cp\u003eFor an important master work, provenance matters.\u003c\/p\u003e\n\u003cp\u003eThis piece is accompanied by the \u003cstrong\u003eoriginal certificate issued by Pertaco Singapore\u003c\/strong\u003e, the influential organiser of the Singapore exhibition at the time.\u003c\/p\u003e\n\u003cp\u003eIt also retains a historical photograph showing \u003cstrong\u003eMaster Wang Huaijun personally holding this exact vase\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe photograph provides a direct visual connection between the artist and the individual work being offered today.\u003c\/p\u003e\n\u003cp\u003eNearly three decades later, the vase remains in excellent condition, with \u003cstrong\u003eno restoration or repair\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist is documented.\u003cbr\u003eThe exhibition is documented.\u003cbr\u003eThe individual work is documented.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eA Major Figure Work\u003c\/h3\u003e\n\u003cp\u003eFigure painting occupies an important place within Wang Huaijun's ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eNüwa Lianshi\u003c\/strong\u003e, the figures, landscape and mythical subject are composed across the substantial porcelain body, giving the work considerably greater visual presence than a smaller cabinet piece.\u003c\/p\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e300-jian size\u003c\/strong\u003e, this is a statement work intended to command a room.\u003c\/p\u003e\n\u003cp\u003eIts scale allows the painting to be appreciated both from a distance and at close range, where the handling of faces, robes, movement and fine line work becomes apparent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is porcelain made to be lived with, not stored away.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eFor the Collector — and the Tea Room\u003c\/h2\u003e\n\u003cp\u003eA serious tea collection rarely ends with tea.\u003c\/p\u003e\n\u003cp\u003eOver time, the space grows around it: Yixing teapots, Jian Ware, iron kettles, paintings, sculpture and works of porcelain.\u003c\/p\u003e\n\u003cp\u003eSome pieces are used.\u003c\/p\u003e\n\u003cp\u003eOthers define the room in which everything else is appreciated.\u003c\/p\u003e\n\u003cp\u003eThis Wang Huaijun vase belongs to the latter.\u003c\/p\u003e\n\u003cp\u003ePlaced in a private tea room, study or collection space, it becomes more than decoration — \u003cstrong\u003eit establishes the character of the room.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTea brings us to the table.\u003cbr\u003eCollecting grows around it.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eWork Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Wang Huaijun 王怀俊\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Nüwa Lianshi 女娲炼石图\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1997\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jingdezhen, China\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Original Singapore exhibition piece\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Large display porcelain vase\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 300-jian format\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Figure painting\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent; no restoration or repair\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Original certificate issued by the Singapore exhibition organiser, Patako\u003cbr\u003e\u003cstrong\u003ePhotographic Provenance:\u003c\/strong\u003e Historical photograph of Wang Huaijun holding this exact vase\u003cbr\u003e\u003cstrong\u003eAvailability:\u003c\/strong\u003e \u003cstrong\u003eOne original piece only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate viewing is available in Singapore.\u003c\/p\u003e\n\u003ch3\u003eCollector's Note\u003c\/h3\u003e\n\u003cp\u003eWorks by an established master can be found again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe history attached to a particular work cannot.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis vase brings together an important Wang Huaijun figure subject, substantial scale, a documented 1997 Singapore exhibition history, its original certificate, and a period photograph connecting the artist directly to the physical work.\u003c\/p\u003e\n\u003cp\u003eThat combination is what distinguishes it from another Wang Huaijun porcelain appearing on the market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne artist. One documented exhibition. One known work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe vase photographed is the exact work offered for collection.\u003c\/p\u003e\n\u003ch2\u003e王怀俊 · 1997 新加坡展《女娲炼石图》\u003c\/h2\u003e\n\u003cp\u003e这不只是一件王怀俊瓷器。\u003c\/p\u003e\n\u003cp\u003e本件《\u003cstrong\u003e女娲炼石图\u003c\/strong\u003e》为中国工艺美术大师\u003cstrong\u003e王怀俊\u003c\/strong\u003e1997年受邀来新加坡展出时的\u003cstrong\u003e原装展件\u003c\/strong\u003e，约300件大器，属其极具代表性的人物题材作品。\u003c\/p\u003e\n\u003cp\u003e近三十年后，作品仍保存于新加坡，\u003cstrong\u003e品相优良，无修无补\u003c\/strong\u003e。\u003c\/p\u003e\n\u003ch3\u003e最难得的，是来源完整\u003c\/h3\u003e\n\u003cp\u003e作品附有当年新加坡展览主办方\u003cstrong\u003e“百达高”出具的原始证书\u003c\/strong\u003e，并保留一张极为重要的历史照片：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e王怀俊大师本人，亲手持着这一件《女娲炼石图》。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e作品、证书、大师本人留影，三者相互印证。\u003c\/p\u003e\n\u003cp\u003e这不是后来为作品补写的一段故事，而是这件瓷器从1997年一路保存至今的历史。\u003c\/p\u003e\n\u003ch3\u003e作品资料\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 王怀俊\u003cbr\u003e\u003cstrong\u003e作品：\u003c\/strong\u003e 女娲炼石图\u003cbr\u003e\u003cstrong\u003e年代：\u003c\/strong\u003e 1997年\u003cbr\u003e\u003cstrong\u003e来源：\u003c\/strong\u003e 新加坡展览原装展件\u003cbr\u003e\u003cstrong\u003e规格：\u003c\/strong\u003e 300件 大器\u003cbr\u003e\u003cstrong\u003e题材：\u003c\/strong\u003e 人物\u003cbr\u003e\u003cstrong\u003e品相：\u003c\/strong\u003e 保存优良，无修无补\u003cbr\u003e\u003cstrong\u003e证书：\u003c\/strong\u003e 附当年新加坡展览主办方 “百达高”原始证书\u003cbr\u003e\u003cstrong\u003e历史资料：\u003c\/strong\u003e 附王怀俊大师本人手持本件作品的原始照片\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e \u003cstrong\u003e仅此一件\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e大师作品还会出现。\u003cbr\u003e但拥有这一段历史的《女娲炼石图》，只有这一件。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e新加坡可预约实物鉴赏。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60269791707217,"sku":null,"price":41000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-09-01at7.12.18PM_1.jpg?v=1788261396"},{"product_id":"yu-shaoshi-jingdezhen-porcelain","title":"Yu Shaoshi Jingdezhen Porcelain Vase – Lu Fei Tu, 2003｜景德镇名家 余少石 · 鹿妃图 200件瓷瓶","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA Certified Jingdezhen Figure Work from 2003\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCreated in \u003cstrong\u003e2003\u003c\/strong\u003e, \u003cem\u003eLu Fei Tu\u003c\/em\u003e (鹿妃图) is a large-format porcelain vase by Jingdezhen ceramic artist \u003cstrong\u003eYu Shaoshi (余少石)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe composition brings together an elegant female figure and a group of deer across the substantial porcelain body. Delicate figure painting, expressive faces and the contrasting forms of the deer give the work a strong presence when viewed as a complete display piece.\u003c\/p\u003e\n\u003cp\u003eAt the traditional Jingdezhen \u003cstrong\u003e200-Jian (200件)\u003c\/strong\u003e size, this is not a small cabinet object. It was created to be seen within a room.\u003c\/p\u003e\n\u003ch2\u003eOriginal Certificate\u003c\/h2\u003e\n\u003cp\u003eThe work retains its original \u003cstrong\u003eCertificate of Celebrity Masterpiece (名人作品证书)\u003c\/strong\u003e issued by the \u003cstrong\u003eCeramic Art Institute of Jingdezhen Ceramic College\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe certificate records:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Yu Shaoshi 余少石\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Lu Fei Tu 鹿妃图\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2003\u003c\/p\u003e\n\u003cp\u003eThe artist's signature and seal also appear on the original documentation.\u003c\/p\u003e\n\u003cp\u003eFor a work now more than two decades old, retaining documentation that identifies the \u003cstrong\u003eartist, title and year of creation\u003c\/strong\u003e gives the piece a much clearer provenance than an unsigned or undocumented decorative Jingdezhen vase.\u003c\/p\u003e\n\u003ch3\u003eMade for a Collection Space\u003c\/h3\u003e\n\u003cp\u003eSome ceramics belong on the tea table.\u003c\/p\u003e\n\u003cp\u003eOthers belong around it.\u003c\/p\u003e\n\u003cp\u003eWith its substantial 200-Jian scale and classical figure composition, \u003cem\u003eLu Fei Tu\u003c\/em\u003e works particularly well as a focal piece in a \u003cstrong\u003eprivate tea room, study, reception room or Chinese art collection\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt is a work to appreciate from across the room, then examine more closely for the details within the painting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA named artist.\u003cbr\u003eA dated work.\u003cbr\u003eIts original certificate.\u003cbr\u003eOne actual piece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eWork Details\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Yu Shaoshi 余少石\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Lu Fei Tu 鹿妃图\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2003\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jingdezhen, China\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Large porcelain display vase\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Figure \u0026amp; Deer\u003cbr\u003e\u003cstrong\u003eJingdezhen Size:\u003c\/strong\u003e 200-Jian (200件)\u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Original Certificate of Celebrity Masterpiece\u003cbr\u003e\u003cstrong\u003eCertificate Issuer:\u003c\/strong\u003e Ceramic Art Institute of Jingdezhen Ceramic College\u003cbr\u003e\u003cstrong\u003eAvailability:\u003c\/strong\u003e One piece only\u003c\/p\u003e\n\u003cp\u003eThe vase photographed is the \u003cstrong\u003eexact piece offered for collection\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePrivate viewing is available in Singapore.\u003c\/p\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003e景德镇名家 余少石 ·《鹿妃图》\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e2003年｜200件大器｜原始名人作品证书\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e本件《鹿妃图》创作于\u003cstrong\u003e2003年\u003c\/strong\u003e，为景德镇陶瓷艺术家\u003cstrong\u003e余少石\u003c\/strong\u003e人物题材瓷瓶。\u003c\/p\u003e\n\u003cp\u003e作品以仕女与群鹿为主体，绘于景德镇传统\u003cstrong\u003e200件大器\u003c\/strong\u003e之上。人物清雅，群鹿环绕，整体画面完整而具有较强的陈设效果，适合茶室、书房及中式艺术收藏空间。\u003c\/p\u003e\n\u003ch3\u003e来源清楚，原证保存\u003c\/h3\u003e\n\u003cp\u003e作品保留\u003cstrong\u003e景德镇高等专科学校陶瓷艺术研究所《名人作品证书》\u003c\/strong\u003e，证书明确记载：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 余少石\u003cbr\u003e\u003cstrong\u003e作品：\u003c\/strong\u003e 鹿妃图\u003cbr\u003e\u003cstrong\u003e创作年份：\u003c\/strong\u003e 2003年\u003cbr\u003e\u003cstrong\u003e规格：\u003c\/strong\u003e 200件瓷瓶\u003cbr\u003e\u003cstrong\u003e证书：\u003c\/strong\u003e 原始《名人作品证书》\u003cbr\u003e\u003cstrong\u003e数量：\u003c\/strong\u003e \u003cstrong\u003e仅此一件\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e二十余年前的作品，作者、作品名称、年代均有原始资料可考。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e网站实拍即实际出售作品。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60269855572049,"sku":null,"price":4100.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsApp_Image_2026-09-01_at_7.12.17_PM_1.jpg?v=1788262617"},{"product_id":"sun-jianxing-wujin-jianzhan-sjw033","title":"Sun Jianxing Wujin Blue Jianzhan Tenmoku Cha-wan SJX033｜Jian Ware Tea Bowl with Certificate｜孙建兴 乌金蓝盏","description":"\u003ch2\u003e\u003cspan\u003eSUN JIANXING · WUJIN BLUE\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 乌金蓝盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003eA MAJOR NAME IN MODERN JIAN ZHAN\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collector, the first thing to notice about this bowl is not the colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is the name.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSun Jianxing 孙建兴\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a Chinese Arts and Crafts Master and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esole National Representative Inheritor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the Jian Kiln Jianzhan Firing Technique, a National Intangible Cultural Heritage project of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBeginning in 1979, he participated in the research and revival of Jian Zhan firing after the historic tradition had been interrupted for centuries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOver decades of work, Sun Jianxing became one of the defining figures in the modern revival of Jian ware. His works have entered major national museum collections in China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor collectors of contemporary Jian Zhan, this places the maker before the pattern.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eWUJIN BLUE｜乌金蓝\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWujin is one of the most restrained expressions of Jian ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn this piece, however, the deep black glaze carries a distinct blue presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe blue does not sit on the surface like decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt emerges from within the darkness of the glaze, changing with light and viewing angle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt first glance, the bowl appears quiet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLook longer, and the black begins to open into blue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat tension between \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edepth, darkness and colour\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is what gives Wujin Blue its character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThere are no large, dramatic markings to dominate the surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe quality of the work therefore depends on something more fundamental:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethe glaze, the firing, the form and the overall presence of the bowl.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eWHY COLLECT SUN JIANXING\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThere are many Jian Zhan makers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThere are far fewer names that helped define the modern history of Jian Zhan itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat distinction matters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA collector does not need to begin with the largest or most elaborate work by an important artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA small bowl can carry the same authorship, lineage and significance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e9 cm in diameter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, SJX033 is an intimate object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can be held, examined under light and appreciated at close range.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYet behind that small scale is one of the most important names in contemporary Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is the attraction of this piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is not simply a Wujin Blue Jian Zhan.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is a certified Sun Jianxing.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sun Jianxing 孙建兴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Wujin Blue 乌金蓝\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 9 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e SJX033\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 乌金蓝盏｜SJX033\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e收藏这只盏，首先看的不是颜色。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e而是孙建兴。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e孙建兴，中国工艺美术大师，国家级非遗“建窑建盏烧制技艺”\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e唯一的国家级代表性传承人\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e自1979年起参与建窑建盏烧制技艺的恢复研究，是现代建盏复兴过程中极具代表性的人物之一，其作品进入中国重要国家级博物馆收藏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这只作品为\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e乌金蓝\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e深黑釉色之中透出蓝意。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e光线改变，蓝色的表现也随之变化。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它不靠夸张斑纹夺目，而是看釉色的深度、火候、器型，以及整只盏的气韵。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e约9cm的小盏，并不是孙建兴最庞大的作品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e但对于收藏者来说，重要的并不是尺寸。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e这是一件有明确作者、有证书、有完整传承背景的孙建兴作品。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e有很多乌金盏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e也会有很多蓝色建盏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e但作者是孙建兴，判断标准就已经不同。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60274645893201,"sku":null,"price":2280.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-09-01at16.12.28.jpg?v=1788317297"},{"product_id":"sun-jianxing-sjx035","title":"Sun Jianxing PERSIMMON RED Jianzhan Tenmoku Cha-wan SJX035｜Jian Ware Tea Bowl with Certificate｜孙建兴 柿红盏","description":"\u003ch2\u003e\u003cspan\u003eSUN JIANXING · PERSIMMON RED\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 柿红盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003eA MAJOR NAME IN MODERN JIAN ZHAN\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collector, the importance of this bowl begins with the maker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSun Jianxing 孙建兴\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a Chinese Arts and Crafts Master and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esole National Representative Inheritor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the Jian Kiln Jianzhan Firing Technique, a National Intangible Cultural Heritage project of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBeginning in 1979, he participated in the research and revival of Jian Zhan firing and became one of the defining figures in the modern return of this historic ceramic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis works have entered major national museum collections in China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is therefore not simply a Persimmon Red Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is a Persimmon Red work by Sun Jianxing.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003ePERSIMMON RED｜柿红\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePersimmon Red does not rely on dramatic spots or brilliant crystallisation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts strength is quieter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe iron-rich glaze develops layered tones of red, brown and deep earthy colour, giving the bowl a warm, mature and almost aged character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe appeal lies in the harmony of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecolour, glaze and form\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNothing needs to dominate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNothing needs to shout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe longer you look, the more settled the piece becomes.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eFOR THE MATURE COLLECTION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollectors often begin with the most immediately recognisable Jian Zhan — Oil Drop, Hare’s Fur and strongly crystallised glazes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOver time, the eye changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA collection needs more than visual impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt needs contrast, restraint and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is where Persimmon Red belongs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eLess display. More depth.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSJX035 adds a quieter voice to a Jian Zhan collection while carrying the authorship of one of the most important figures in modern Jian ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately 9 cm in diameter, it is an intimate, certified work by Sun Jianxing — made to be held, viewed closely and lived with.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sun Jianxing 孙建兴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Persimmon Red 柿红\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 9 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e SJX035\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 柿红盏｜SJX035\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e孙建兴，中国工艺美术大师，国家级非遗“建窑建盏烧制技艺”\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e唯一的国家级代表性传承人\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e自1979年起参与建窑建盏烧制技艺的恢复研究，是现代建盏复兴的重要代表人物。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这只作品为\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e柿红\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e柿红不靠强烈斑纹取胜。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e红、褐、深铁色自然交融，温润、沉稳、古朴。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e很多藏家最初会被油滴、兔毫吸引。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e收藏久了，看的却不再只是“抢不抢眼”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是整套收藏里，有没有不同的层次与气质。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e柿红的意义，就在这里。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它不是最张扬的一只。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e却能让收藏从“丰富”，走向“完整”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e约9cm，附证书。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e这不是一只普通的柿红盏，而是一件孙建兴的柿红作品。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e应只被当成一只普通柿红盏来看。\u003c\/span\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60275395854417,"sku":null,"price":2580.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-09-01at16.12.37.jpg?v=1788318109"},{"product_id":"sun-jianxing-sjx036","title":"Sun Jianxing Tea-Dust Wood-Fired Jianzhan Tenmoku Cha-wan SJX036｜Tea-Dust Glaze Jian Ware Tea Bowl with Certificate｜孙建兴 柴烧茶末盏","description":"\u003ch3\u003e\n\u003cspan\u003eSUN JIANXING · TEA-DUST \u003c\/span\u003e\u003cspan\u003e· \u003c\/span\u003e\u003cspan\u003eWood-Fired\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 茶末盏 (柴烧）\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA Jian Zhan that rewards closer inspection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFrom a normal viewing distance, Tea-Dust appears quiet and restrained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnder directional light or magnification, however, its surface reveals fine crystalline texture, tonal variation and layers that are easily missed by the naked eye.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis piece is made by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSun Jianxing 孙建兴\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, National Representative Inheritor of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJian Kiln Jianzhan Firing Technique\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a National Intangible Cultural Heritage project of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is particularly suited to collectors who appreciate \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esubtle glaze structure rather than immediate visual drama\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eLOOK CLOSER\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSun Jianxing’s glaze surfaces are particularly rewarding under magnification.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sun Jianxing 孙建兴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Tea-Dust 茶末\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 103 * 56 mm （D*H）\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate \u0026amp; Original Box\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e孙建兴 · 茶末盏 柴烧\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e茶末，需要近看。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e远看沉静，近看则能看到细密的釉面颗粒、色泽变化与结晶层次。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e孙建兴作品尤其值得以强光及放大方式观察釉面。\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60275671433297,"sku":null,"price":2880.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsApp_Image_2026-09-10_at_16.01.06.jpg?v=1789027432"},{"product_id":"sun-jianxing-sjx037","title":"Sun Jianxing Oil Drop Jianzhan Tenmoku Cha-wan SJX037｜Jian Ware Tea Bowl with Certificate｜孙建兴 油滴盏","description":"\u003ch2\u003e\u003cspan\u003eSUN JIANXING · OIL DROP\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 国礼油滴盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003eONE OF THE DEFINING NAMES IN MODERN JIAN ZHAN\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOil Drop is one of the most recognisable expressions of Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat also makes it one of the easiest to misunderstand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAlmost any collector can recognise the pattern.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFar fewer pieces deserve to be judged only by the pattern.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt this level, the more important question is:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eWho made it?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSun Jianxing 孙建兴\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a Chinese Arts and Crafts Master and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esole National Representative Inheritor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the Jian Kiln Jianzhan Firing Technique, a National Intangible Cultural Heritage project of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBeginning in 1979, he participated in the research and revival of Jian Zhan firing and became one of the defining figures in the modern return of this historic ceramic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis works have entered major national museum collections in China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor collectors, this changes the meaning of SJX037.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is not simply an Oil Drop Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is Sun Jianxing’s Oil Drop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eOIL DROP｜油滴 （国礼）\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOil Drop attracts the eye immediately.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut a serious Oil Drop should never be judged simply by the number of spots.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLook instead at:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003edefinition, distribution, lustre, depth and balance.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDo the markings feel alive under light?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAre they distributed naturally across the bowl?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDo they work with the dark glaze beneath them?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDoes the entire surface feel complete rather than merely spectacular?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese are the questions that separate an attractive Oil Drop from a collectible one.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTHE PATTERN IS ONLY THE BEGINNING\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThere are many Oil Drop Jian Zhan in the market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is exactly why the maker matters more here.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhen a glaze becomes widely recognised, the name behind the bowl becomes one of the clearest ways to distinguish one level of work from another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSJX037 carries an immediately familiar Jian Zhan language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut it carries it through one of the most important makers in the modern history of the craft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collector, that combination is powerful:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ean iconic glaze,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea major maker,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand a certified individual work.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eMADE TO CHANGE WITH LIGHT\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn Oil Drop bowl should never be judged from one photograph.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eViewed directly, the glaze may appear dark and composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTilt the bowl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBring it toward the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe markings begin to respond individually.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome brighten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome disappear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOthers emerge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis changing relationship with light is one of the reasons Oil Drop remains so compelling in the hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe piece does not give you one fixed image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt changes as you look.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eWHEN THE NAME BECOMES THE DIFFERENCE\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollectors eventually reach a point where “Oil Drop” alone is no longer enough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe collection already has Oil Drop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePerhaps more than one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe next question becomes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eWhich Oil Drop is worth keeping?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is where authorship matters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSJX037 is not important because Oil Drop is rare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOil Drop itself is not rare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is important because it is a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecertified Oil Drop work by Sun Jianxing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is a very different proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sun Jianxing 孙建兴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Oil Drop 油滴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 9 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e SJX037\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 国礼 油滴盏｜SJX037\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e油滴，是建盏里最容易认出来的釉色之一。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e也正因为这样，收藏者更容易遇到一个问题：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e油滴很多，应该收藏哪一只？\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e孙建兴，中国工艺美术大师，国家级非遗“建窑建盏烧制技艺”\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e唯一的国家级代表性传承人\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e自1979年起参与建窑建盏烧制技艺的恢复研究，是现代建盏复兴过程中极具代表性的人物之一。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e真正看一只油滴，不能只看：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e“斑点多不多？”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而要看：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e斑纹是否清晰、分布是否自然、光泽是否有层次、整只盏是否完整。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e油滴这个釉色并不罕见。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以到了收藏层级，决定差异的往往已经不是“是不是油滴”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是：\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e谁烧的油滴。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSJX037的意义正在这里。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它不是一只普通的油滴盏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是一件有明确作者、有证书的：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e孙建兴油滴作品。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60279012229201,"sku":null,"price":4880.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-09-01at16.13.18.jpg?v=1788322204"},{"product_id":"sun-jianxing-sjx038","title":"Sun Jianxing LEAF Jianzhan Tenmoku Cha-wan SJX038｜Jian Ware Tea Bowl with Certificate｜孙建兴 木叶盏","description":"\u003ch2\u003e\n\u003cspan\u003eS\u003c\/span\u003e\u003cspan\u003eUN JIANXING · LEAF\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 木叶盏｜SJX038\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003eA MAJOR NAME IN MODERN JIAN ZHAN\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collector, the importance of this bowl begins with the maker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSun Jianxing 孙建兴\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a Chinese Arts and Crafts Master and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esole National Representative Inheritor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the Jian Kiln Jianzhan Firing Technique, a National Intangible Cultural Heritage project of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBeginning in 1979, he participated in the research and revival of Jian Zhan firing and became one of the defining figures in the modern return of this historic ceramic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis works have entered major national museum collections in China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWith SJX038, however, authorship is only the beginning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBecause Leaf ware introduces something another glaze cannot:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethe identity of the leaf itself.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eLEAF｜木叶\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA Leaf Jian Zhan is not simply a bowl decorated with a leaf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe leaf becomes part of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts shape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts veins.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe way it survives the firing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd the way it sits against the surrounding glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAll of these determine the final composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNo two leaves are identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd once the leaf meets glaze and fire, no two results can be exactly repeated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat gives Leaf ware an unusually strong sense of individuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eNOT A PATTERN. A PARTICULAR WORK.\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWith Oil Drop or Hare’s Fur, collectors can compare different examples of the same glaze language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaf ware is different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYou are not simply choosing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e“A Sun Jianxing Leaf bowl.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYou are choosing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethis leaf,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein this position,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon this bowl,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eafter this firing.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat distinction matters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBecause the closer a Jian Zhan moves from “glaze type” toward “individual composition”, the more it begins to feel like a specific work rather than a category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSJX038 belongs firmly in that territory.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eWHY IT MATTERS IN A COLLECTION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAmong the different Jian Zhan expressions, Leaf ware carries one of the clearest visual identities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is immediately recognisable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYet every successful piece remains distinctly its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhen that individuality is combined with the authorship of Sun Jianxing, the result is especially compelling for a collector.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is not simply about owning another glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is about adding a work with:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ea major maker,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea clear individual identity,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand a composition that cannot simply be reproduced later.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately 95*50mm, SJX038 is compact in scale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut as a collectible object, it has presence far beyond its size.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sun Jianxing 孙建兴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStyle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Leaf 木叶\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 95 *50 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e SJX038\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e孙建兴 · 木叶盏｜SJX038\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e孙建兴，中国工艺美术大师，国家级非遗“建窑建盏烧制技艺”\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e唯一的国家级代表性传承人\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e自1979年起参与建窑建盏烧制技艺的恢复研究，是现代建盏复兴的重要代表人物。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e木叶和其他釉色最大的不同，是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e叶子本身，就是作品的一部分。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e叶片的形态、脉络、位置，以及经过窑火后最终留下的状态，共同决定了这一只盏的构图。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e没有两片完全相同的叶。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e也不会有两次完全相同的窑变结果。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以收藏木叶，不能只看成“多了一种釉色”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e真正收藏的是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e这一片叶。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e这一只盏。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e这一次窑火。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e当这种不可重复的单件性，再加上孙建兴的作者身份，作品就不再只是“木叶盏”这个类别。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是一件有明确个性的孙建兴作品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e约9.5cm，附证书。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e同样是木叶，下一只可以再来。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e但不会再是SJX038。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60279761731665,"sku":null,"price":2580.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/WhatsAppImage2026-09-01at16.13.49.jpg?v=1788323014"},{"product_id":"sun-li-jianzhan-tenmoku-cha-wan-black-glaze-jian-ware-tea-bowl-with-certificate-孙莉-名家建盏-sl-102","title":"Sun Li Jianzhan Tenmoku Cha-wan｜Black Glaze Jian Ware Tea Bowl with Certificate｜孙莉 名家建盏 SL-102","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eA collectible Jian ware cup by Sun Li, daughter of national-level inheritor Sun Jianxing孙建兴, with certificate and unique verification code.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003cstrong\u003e孙莉 建盏作品，附证书与唯一编码，可扫码核验。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis Jian ware cup is a collectible work by \u003cstrong\u003eSun Li\u003c\/strong\u003e, a recognized inheritor and ceramic artist in the Jian ware tradition.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSun Li comes from one of the most important Jian ware lineages in China. Her father, \u003cstrong\u003eSun Jianxing\u003c\/strong\u003e, is listed by China’s national intangible cultural heritage platform as a representative inheritor of the national intangible cultural heritage project \u003cstrong\u003e“Jian Kiln Jian Ware Firing Technique”\u003c\/strong\u003e. The same official source also notes that Sun Li is a Fujian provincial-level inheritor and a provincial arts and crafts master. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJian ware is known for its deep black glaze, iron-rich firing character and naturally formed glaze patterns. Historically, Jian ware reached its height during the Song dynasty, and modern Jian ware has been revived through decades of research and firing practice. Fujian’s official cultural writing describes Jian ware as a representative product of Jian Kiln, with glaze types including black glaze, hare’s fur, oil spot, partridge-feather markings and other variations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis cup comes with its original presentation box, artist information card, product code and QR verification. Each piece carries a unique identity record for authenticity checking.\u003c\/p\u003e\n\u003cp\u003eThe attraction of this piece is not only its use as a tea cup.\u003c\/p\u003e\n\u003cp\u003eIt is a collectible Eastern object shaped by lineage, glaze, firing, authorship and scarcity.\u003c\/p\u003e\n\u003cp\u003eAt Old Village PuEr, we select Jian ware and porcelain not as ordinary tea accessories, but as part of a broader collecting map alongside PuEr, aged tea, zisha and tetsubin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot just for use.\u003cbr\u003eFor long-term appreciation, display and collecting.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e此建盏为 \u003cstrong\u003e孙莉\u003c\/strong\u003e 作品，附原盒、作者资料、唯一产品编码与 QR Code，可作真伪核验。\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e孙莉为国家级非遗项目“建窑建盏烧制技艺”代表性传承人 \u003cstrong\u003e孙建兴\u003c\/strong\u003e 之女。官方资料显示，孙建兴为该国家级非遗项目代表性传承人；孙莉为福建省级传承人、省工艺美术大师。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e这件作品不只是日用茶盏，更适合收藏、陈列与长期欣赏。\u003c\/p\u003e\n\u003cp\u003e老寨古茶选择建盏与瓷器，不看短期热闹，而看作者、釉色、器型、工艺、来源与多年后是否仍然站得住。\u003c\/p\u003e\n\u003ch1 class=\"PDq2pG_selectionAnchorContainer\"\u003eKey Highlights\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sun Li\u003cbr\u003e\u003cstrong\u003eLineage:\u003c\/strong\u003e Daughter of Sun Jianxing 孙建兴, national-level inheritor of Jian Kiln Jian Ware Firing Technique\u003cbr\u003e\u003cstrong\u003eCategory:\u003c\/strong\u003e Jian Ware \/ 建盏\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Black glaze with natural glaze variation\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Tea cup \/ display \/ collectible object\u003c\/p\u003e\n\u003cp\u003e9cm dimeter \u003cbr\u003e\u003cstrong\u003eAuthentication:\u003c\/strong\u003e Product code and QR verification\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e New \/ collector kept\u003cbr\u003e\u003cstrong\u003eOld Village Price:\u003c\/strong\u003e S$1,700\u003cbr\u003e\u003cstrong\u003eArtist Reference Price:\u003c\/strong\u003e RMB 88,000, as supplied by owner — please verify against certificate \/ QR record before using publicly\u003c\/p\u003e\n\u003ch1\u003eProduct Details Table\u003c\/h1\u003e\n\u003cdiv class=\"group TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"last:pe-10\"\u003eItem\u003c\/th\u003e\n\u003cth class=\"last:pe-10\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Name\u003c\/td\u003e\n\u003ctd\u003eSun Li Master Jian Ware Cup\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e中文名称\u003c\/td\u003e\n\u003ctd\u003e孙莉名家建盏 9口\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtist\u003c\/td\u003e\n\u003ctd\u003eSun Li 孙莉\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLineage\u003c\/td\u003e\n\u003ctd\u003eDaughter of Sun Jianxing 孙建兴\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCategory\u003c\/td\u003e\n\u003ctd\u003eJian Ware \/ Chinese Ceramic Collectible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGlaze\u003c\/td\u003e\n\u003ctd\u003eBlack glaze with natural firing pattern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncludes\u003c\/td\u003e\n\u003ctd\u003eOriginal box, artist card, product code, QR verification\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eTea, display, private collection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice\u003c\/td\u003e\n\u003ctd\u003eS$1,700\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReference\u003c\/td\u003e\n\u003ctd\u003eArtist reference price supplied: RMB 88,000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60320600817745,"sku":null,"price":1700.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_120643.jpg?v=1788517619"},{"product_id":"huang-meijin-golden-oil-drop-xingyun-small-bowl-jianzhan-tenmoku-cha-wan-hmj039-jian-ware-tea-bowl-with-certificate-黄美金-金油滴星云小钵","title":"Huang Meijin Golden Oil Drop Xingyun Small Bowl Jianzhan Tenmoku Cha-wan HMJ039｜Jian Ware Tea Bowl with Certificate｜黄美金 金油滴星云小钵","description":"\u003ch3\u003e\u003cspan\u003eTO COLLECT JIAN ZHAN IS TO ENCOUNTER HUANG MEIJIN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor serious Jian Zhan collectors, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHuang Meijin 黄美金\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a name that is difficult to bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd to collect Huang Meijin is to encounter the work that defines him:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eGolden Oil Drop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHuang Meijin is a Fujian Provincial Representative Inheritor of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJian Kiln Jianzhan Firing Technique\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter years of research, experimentation and repeated firing, Golden Oil Drop became the unmistakable signature of his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis Golden Oil Drop Jian Zhan has entered the collection of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBritish Museum\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor collectors, the relationship between maker and glaze is unusually clear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eTo collect Jian Zhan is to know Huang Meijin.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTo collect Huang Meijin is to know Golden Oil Drop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eGOLDEN OIL DROP｜金油滴\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGold against black is the first impression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut a Huang Meijin Golden Oil Drop is more than a colour effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAcross the deep black glaze, gold-toned crystalline markings emerge through firing, gathering into overlapping, scale-like structures with a distinctly three-dimensional surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn softer light, the bowl appears deep and restrained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMove it toward stronger light and the gold begins to come forward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe surface changes from black to bronze to luminous gold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe darkness gives the gold its power.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is the glaze language with which Huang Meijin built his name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYou are not simply collecting a beautiful Golden Oil Drop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eYou are collecting Huang Meijin in the form for which he became known.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eTHE BODY IS ALSO PART OF THE SIGNATURE\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003e黄美金，不只看釉，也看胎\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExperienced collectors do not stop at the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTurn the bowl over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe clay body tells another part of the story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor his Golden Oil Drop works, Huang Meijin developed a distinctive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine-clay body\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, using finely processed local natural clay rather than the visibly coarser exposed body commonly associated with traditional Jian ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is notably finer, denser and smoother to the touch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis was not merely cosmetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eProducing Jian Zhan with a finely processed body creates additional firing difficulty, particularly at the high temperatures required for the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor Huang Meijin, the body became part of the system behind Golden Oil Drop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd for collectors familiar with his work:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethe glaze identifies the style;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe body reinforces the maker.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is one of the details worth examining closely on an authentic Huang Meijin work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eXINGYUN BOWL｜星云钵\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Xingyun Bowl carries another story entirely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn 2015, Huang Meijin presented a Golden Oil Drop alms bowl to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eVenerable Master Hsing Yun 星云大师\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, founder of Fo Guang Shan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMaster Hsing Yun admired and collected the work and gave the form the name:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eXingyun Bowl｜星云钵\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe subsequently authorised Huang Meijin to use his own private seal as a base mark on works from the Xingyun Bowl series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat authorisation created one of the most recognisable details of these works.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eTWO BASE MARKS｜双底款\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTurn over a Huang Meijin Xingyun Bowl and there is another reason to look closely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe base carries:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHuang Meijin’s maker’s mark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e＋\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVenerable Master Hsing Yun’s authorised seal\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTwo marks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTwo identities connected to the history of one work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Hsing Yun seal is not an ornamental motif added simply for decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt records the cultural relationship behind the creation and naming of the Xingyun Bowl itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collector, this makes the base almost as important to examine as the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eBefore you turn it over, it is a Huang Meijin Golden Oil Drop.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurn it over, and you know it is a Xingyun Bowl.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eHMJ039 · XINGYUN SMALL BOWL\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHMJ039 is an approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e9.5 cm Xingyun Small Bowl\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts compact, rounded form is quiet and contained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInside and across the exterior, Huang Meijin’s Golden Oil Drop provides the opposite experience — luminous, textured and highly responsive to light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThen turn the work over:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ethe distinctive fine clay body,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHuang Meijin’s mark,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eand Master Hsing Yun’s authorised seal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is why HMJ039 is more than another attractive Golden Oil Drop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt brings together several of the signatures most closely associated with Huang Meijin:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe maker.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Golden Oil Drop.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe distinctive fine-clay body.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Xingyun form.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe dual base marks.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor a collection intended to represent Huang Meijin seriously,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethis is the kind of work that explains the artist without needing much explanation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Huang Meijin 黄美金\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Golden Oil Drop 金油滴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eForm:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Xingyun Small Bowl 星云小钵\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 95 * 58 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eClay Body:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Huang Meijin distinctive fine-clay body\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eBase Marks:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Huang Meijin maker’s mark + authorised Venerable Master Hsing Yun seal\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e HMJ039\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e黄美金 · 金油滴星云小钵｜HMJ039\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e收藏建盏，绕不开黄美金；\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e收藏黄美金，绕不开金油滴。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e黄美金，“建窑建盏烧制技艺”福建省级代表性传承人。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e经过多年研究、试验与反复烧制，\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e金油滴成为黄美金最具代表性的作品语言\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，其金油滴建盏更进入大英博物馆收藏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以看黄美金，不能只问：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e“这一只金油滴漂不漂亮？”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而应该看：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e是不是黄美金真正有代表性的作品。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e金油滴｜他的代表作\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e深黑釉面之上，金色结晶自然生成。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e弱光下深沉。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e强光下，金色逐渐从黑釉中亮起。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e斑纹层层重叠，呈现出明显的立体感与金属光泽。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e黑得越深，金才越醒目。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e对黄美金而言，金油滴并不是众多釉色中的一种。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e它就是他的代表。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e黄美金，不只看釉，也看胎\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e熟悉黄美金作品的藏家，往往还会把盏翻过来看。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e因为他的作品还有另一个很重要的辨识特征：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e胎体。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e为了配合金油滴的烧制，黄美金发展出极具个人特点的\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e细泥胎体\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e与传统建盏较粗犷的露胎不同，它更加细密、厚实、温润，触感也更细腻。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这种细胎在建盏高温烧制中并不容易控制。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e因此，对黄美金作品来说：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e釉，是第一眼；\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e胎，是第二眼。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e真正懂的人，两边都看。\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e星云钵｜还有第三眼：底款\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e2015年，黄美金将金油滴禅钵呈赠星云大师。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e作品得到星云大师赞赏及收藏，并赐名：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e“星云钵”。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e更重要的是，星云大师随后授权黄美金，将自己的私人印章用于星云钵系列的底款。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e因此，真正的黄美金星云钵有一个非常有辨识度的收藏特征：\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e双底款\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e黄美金底款\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e＋\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e星云大师授权印章\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这个印章不是普通装饰。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它记录了“星云钵”名称与这一段文化因缘的来源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以看一只黄美金星云钵：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e第一眼，看金油滴。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e第二眼，看胎。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e第三眼，翻过来看双底款。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003e这只 HMJ039 为约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e9.5cm 星云小钵\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e器型圆融、内敛。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e金油滴在深色釉面上随着光线变化而显现。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e翻到底部，则能同时看到黄美金极具辨识度的细胎，以及星云钵特有的双底款。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以收藏这一只，不只是收藏一个漂亮的釉色。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是几个重要条件同时成立：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e黄美金。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e金油滴。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e标志性细胎。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e星云钵。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e双底款。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e如果一套收藏要真正能够代表黄美金，这样的作品，才有代表性。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60333084442705,"sku":null,"price":2300.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_115742_abc87ba6-c5e9-4fe1-aeda-d032f46ca10c.jpg?v=1788520442"},{"product_id":"huang-meijin-golden-oil-drop-incense-burner-jianzhan-tenmoku-cha-wan-hmj040-jian-ware-tea-bowl-with-certificate-黄美金-金油滴香炉盏","title":"Huang Meijin Golden Oil Drop Incense-Burner Jianzhan Tenmoku Cha-wan HMJ040｜Jian Ware Tea Bowl with Certificate｜黄美金 金油滴香炉盏","description":"\u003ch3\u003e\u003cspan\u003eTHE SIGNATURE GLAZE OF HUANG MEIJIN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor serious Jian Zhan collectors, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHuang Meijin 黄美金\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a name that is difficult to bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd to collect Huang Meijin is to encounter the work that defines him:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eGolden Oil Drop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHuang Meijin is a Fujian Provincial Representative Inheritor of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJian Kiln Jianzhan Firing Technique\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter years of research, experimentation and repeated firing, Golden Oil Drop became the unmistakable signature of his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis Golden Oil Drop Jian Zhan has entered the collection of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBritish Museum\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor the collector, the relationship is clear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eTo collect Jian Zhan is to know Huang Meijin.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTo collect Huang Meijin is to know Golden Oil Drop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eGOLDEN OIL DROP｜金油滴\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAgainst the deep black glaze, gold-toned crystalline markings emerge through firing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn softer light, the bowl remains dark and restrained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnder stronger light, the gold begins to rise from the surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBlack becomes bronze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBronze becomes gold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe crystalline markings overlap and gather across the glaze, creating the depth and metallic brilliance that made Huang Meijin’s Golden Oil Drop so recognisable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is not simply a gold-coloured Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is the glaze language most closely associated with Huang Meijin himself.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eTHE BODY IS PART OF THE SIGNATURE\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan\u003e黄美金，不只看釉，也看胎\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHuang Meijin’s works carry another identifying feature:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ehis distinctive fine-clay body.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnlike the visibly coarser exposed body commonly associated with traditional Jian ware, Huang Meijin’s body is notably finer, denser and smoother to the touch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor experienced collectors, this matters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe glaze may be the first thing you notice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut turn the bowl over and the body becomes another part of the maker’s identity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe glaze identifies the style.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe body reinforces the maker.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eINCENSE-BURNER FORM｜香炉盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHMJ040 is where the form becomes equally important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e10 cm in diameter and 5.7 cm in height\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the bowl has an unusually low, compressed profile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eImagine the familiar \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShukou — 束口 — Jian Zhan form\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, then gently press the entire silhouette downward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe mouth still gathers inward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe body remains rounded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut the centre of gravity becomes lower and broader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a bowl that feels more grounded, more sculptural and more substantial than a conventional tea-bowl profile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is the character of this \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIncense-Burner form｜香炉盏\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eA DIFFERENT WAY TO SEE GOLDEN OIL DROP\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lower profile changes how the glaze is experienced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eViewed from the side, the eye first reads the silhouette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003elow, rounded, contained.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eViewed from above, the balance shifts immediately to the Golden Oil Drop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe wider visual field allows the crystalline markings to spread across the interior with greater presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSo HMJ040 gives the collector two experiences in one object:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethe form from the side,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe glaze from above.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is what separates it from simply adding another Golden Oil Drop bowl.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWHY THIS FORM MATTERS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollectors do not need ten works that all say the same thing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOnce the maker and signature glaze are already established, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eform becomes the next level of distinction.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHMJ040 combines:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHuang Meijin\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGolden Oil Drop\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ehis distinctive fine-clay body\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eand a low, highly recognisable Incense-Burner form\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result feels less like a conventional tea bowl and more like a small ceramic object with real sculptural presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt only 10 cm across, it is not large.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBut visually, it feels substantial.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat is precisely why this form works so well with Golden Oil Drop:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethe glaze gives it brilliance;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe form gives it weight.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Huang Meijin 黄美金\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Golden Oil Drop 金油滴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eForm:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Incense-Burner Bowl 香炉盏\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 10 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 5.7 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eClay Body:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Huang Meijin distinctive fine-clay body\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e HMJ040\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e黄美金 · 金油滴香炉盏｜HMJ040\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e收藏建盏，绕不开黄美金；\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e收藏黄美金，绕不开金油滴。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e黄美金，“建窑建盏烧制技艺”福建省级代表性传承人。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e经过多年研究、试验与反复烧制，\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e金油滴成为他最具代表性的作品语言\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，其金油滴建盏进入大英博物馆收藏。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以黄美金的金油滴，不能只当成一种漂亮釉色来看。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e它就是他的代表。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e金油滴｜黑得越深，金才越醒目\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e深黑釉面之上，金色结晶随着光线变化而显现。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e弱光下，深沉、内敛。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e强光下，黑色逐渐转成铜色、金色，结晶斑纹层层展开。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这正是黄美金金油滴最具辨识度的地方。\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e黄美金，不只看釉，也看胎\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e熟悉黄美金的藏家，还会把盏翻过来看。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e因为他的作品还有一个非常重要的辨识特征：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e标志性的细泥胎体。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e与传统建盏较粗犷的露胎不同，黄美金的胎质更加细密、厚实、温润。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以看黄美金：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e第一眼看釉。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e第二眼看胎。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e两边都看，才完整。\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e香炉盏｜像一只被向下压低的束口盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这只 HMJ040 的器型非常特别。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e口径约10cm，高约5.7cm。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e如果把一只传统束口盏，从上方轻轻向下压低：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e束口还在。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e圆腹还在。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e但整个器型变得更矮、更宽，视觉重心明显下降。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这就是这只香炉盏最吸引人的地方。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它不是普通茶碗的比例。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e更低。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e更稳。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e更有器物感。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e从侧面看，先看到的是器型。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e从上方看，视线马上被金油滴吸进去。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e所以这一只真正有意思的，不只是黄美金的金油滴。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e金油滴有光，\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e香炉盏有形。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e两者放在一起，作品才成立。\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e对于已经收藏黄美金作品的人来说，再买一只普通器型的金油滴，很容易只是重复。\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHMJ040不同。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e它同时具备：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e黄美金。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e金油滴。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e标志性细胎。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e香炉盏特殊器型。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e不是为了多一只。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e而是为了让收藏里面，出现一个\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e完全不同的轮廓。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60334873641041,"sku":null,"price":2000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_115646_1bb07cd2-511c-4255-b03e-7f7fc837aaa5.jpg?v=1788521426"},{"product_id":"li-ying-golden-jianzhan-offering-bowl-ly041-gold-glaze-jian-ware-with-certificate-李英-金盏","title":"Li Ying Black-Rim Gold Jianzhan Offering Bowl LY041｜Gold Glaze Jian Ware with Certificate｜李英 金盏 将军盏","description":"\u003ch3\u003e\u003cspan\u003eA WORK FROM A COMPLETED LEGACY\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eLi Ying 李英\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was a National Senior Technician, Fujian Provincial Ceramic Art Master and Nanping Arts and Crafts Master.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHer \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOil Drop Tea Bowl\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e entered the collection of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNational Museum of China\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLi Ying has since passed away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThere will be no new works made by her hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhat remains are the Jian Zhan she created during her lifetime.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor collectors, this makes even a small work an opportunity to own part of a completed body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eHER GOLD｜李英的金\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhat immediately distinguishes this piece is the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLi Ying used a distinctive gold glaze with an unusually \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebright, clean and refined appearance\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnder softer light, the colour is warm and restrained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMove it toward stronger light and the surface becomes noticeably more luminous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGold can easily become excessive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis does not.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eBright, but not loud.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuxurious, but still composed.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe attraction is not simply that it is gold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eIt is the quality of the gold.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eMADE FOR OFFERING\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e76 mm in diameter × 54 mm in height\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, LY041 is a particularly compact Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts size makes it especially suitable as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBuddhist offering bowl\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including for tea or water offerings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePlaced before a Buddha image, it occupies little space while the gold glaze catches the surrounding light beautifully.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSmall in scale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuminous in presence.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can be used as an offering vessel, or simply kept as a small collectible work by Li Ying.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAN ACCESSIBLE WAY TO COLLECT LI YING\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eImportant works do not always need to be large.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eS$700\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, LY041 offers a relatively accessible way to own a certified work by a late Fujian ceramic art master whose work has entered the National Museum of China.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe artist is gone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe work remains.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCOLLECTOR DETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Li Ying 李英\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Golden Glaze 金釉\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 76 × 54 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCredentials:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e National Senior Technician · Fujian Provincial Ceramic Art Master · Nanping Arts and Crafts Master\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMuseum Collection:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e National Museum of China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jianyang, Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e LY041\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePrice:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e S$700\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e李英 · 金盏｜LY041\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e李英，\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e国家高级技师、福建省陶瓷艺术大师、南平市工艺美术大师\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，其《油滴茶盏》被\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e中国国家博物馆收藏\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e李英已经离世。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e她不会再有新的作品。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e今天留下来的，都是她生前烧制的建盏。\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"isSelectedEnd\"\u003e\u003cspan\u003e李英的金\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这只作品最有辨识度的地方，是她特别的\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e金釉\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e金色很亮、很净，在不同光线下有明显的光泽变化，却没有普通金色器物容易出现的俗艳感。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e亮，但不吵。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e贵气，但不俗。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e真正值得看的，不只是“是不是金色”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e这个金，做到了什么质感。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e佛前一只小金盏\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e尺寸约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e76 × 54mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e小巧的比例，非常适合作为佛前供盏，用于供茶、供水。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e不占空间，却能在佛前自然显出金色的光泽。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e小，而有光。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e静，而有贵气。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e对于收藏者，它也是一个相对容易进入李英作品收藏的选择。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e作者已经离开。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e作品留下来了。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60336325656657,"sku":null,"price":480.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_113139_a93584bb-75c3-4e3b-b5f6-e938e8e72cba.jpg?v=1788523149"},{"product_id":"liu-zilong-rainbow-thin-wall-jianzhan-tenmoku-cha-wan-lzl042-iridescent-jian-ware-tea-bowl-with-certificate-刘子龙-彩虹薄胎盏","title":"Liu Zilong Rainbow Thin-Wall Jianzhan Tenmoku Cha-wan LZL042｜Iridescent Jian Ware Tea Bowl with Certificate｜刘子龙 彩虹薄胎盏","description":"\u003ch3\u003e\u003cspan\u003eLIGHTER THAN YOU EXPECT\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePick it up, and the difference is immediate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJian Zhan is normally associated with a substantial body and noticeable weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis one feels very different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe rim is approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.5 mm thin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while the body is only around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2.5 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e92 mm × 56 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it retains the familiar presence of Jian Zhan while feeling unexpectedly light and refined in the hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe form is Jian Zhan.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe feeling is unusually delicate.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eRAINBOW｜彩虹\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThen comes the glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis newly fired piece displays a vivid iridescent rainbow effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnder one angle, the surface appears darker and restrained.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTurn it toward the light and different tones begin to emerge:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eblue, purple, gold and metallic highlights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe colour is not painted onto the surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt changes naturally with light and viewing angle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe bowl does not have one fixed colour.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt changes as you move it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat movement is one of the most enjoyable aspects of the piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eTHIN-WALL CRAFTSMANSHIP｜薄胎工艺\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThinness here is not simply a measurement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt changes the experience of the bowl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.5 mm rim\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e gives the mouth a particularly fine profile, while the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2.5 mm body\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e removes much of the weight normally associated with Jian Zhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result feels precise, light and comfortable in the hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCombined with the active rainbow surface, the contrast becomes particularly appealing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ea quiet, thin body\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewith a constantly changing glaze.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eLIU ZILONG｜刘子龙\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLiu Zilong 刘子龙 is a recognised Jian Zhan craftsman from Fujian.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAccording to his accompanying artist credentials, he holds professional titles including Senior Arts and Crafts Artist and National Level-I Senior Technician, and is involved in the continuation of the Chayang kiln ceramic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis work is particularly interesting when technical execution becomes immediately visible in the finished object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLZL042 is a good example:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ethin enough to feel different,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecolourful enough to look different.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAN ACCESSIBLE TECHNICAL PIECE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eS$390\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is an accessible way to experience a more technically distinctive Jian Zhan without moving directly into the S$1,000–4,000 master-work range.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe appeal is straightforward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYou can see the rainbow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eYou can feel the thin body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd both are present in the same certified work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor someone beginning to explore better contemporary Jian Zhan — or an established collector looking for something technically different — LZL042 offers a clear reason to own it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDETAILS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Liu Zilong 刘子龙\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Rainbow Iridescent 彩虹\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eForm:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Thin-Wall Jian Zhan 薄胎盏\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 92 × 56 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRim Thickness:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 1.5 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eBody Thickness:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 2.5 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCertificate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Included\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Fujian, China\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVP Collection Ref.:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e LZL042\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePrice:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e S$390\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e刘子龙 · 彩虹薄胎盏｜LZL042\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这一只，最好先拿起来。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e口径约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e92mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，高约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e56mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e口沿约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.5mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，盏身约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2.5mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e一般建盏给人的感觉是厚、稳、有重量。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e这一只却明显不同：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e薄、轻、利落。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e然后再把它转到光线下面。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e新烧成的彩虹釉面会随着角度变化，出现蓝、紫、金及不同的金属光泽。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e不是一个固定的“彩虹颜色”。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e而是：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e你转动盏，颜色也跟着变。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e这只真正有意思的地方，是两个特点同时成立：\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e手上感觉得到的薄胎，\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e眼睛看得到的彩虹。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e一个是工艺。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e一个是视觉。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e约 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.5mm薄口、2.5mm薄身\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e，已经让它和一般建盏有明显不同。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eS$390，附证书。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e对于第一次开始接触名家建盏的人，这是一个很容易进入的选择。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e对于已经有其他建盏的藏家，它又提供了一种完全不同的手感和釉面体验。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e拿起来是薄。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e转一下，是彩虹。\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60337953898577,"sku":null,"price":700.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260904_120239_e15fcca7-f5d3-4947-ba9f-af3249f51801.jpg?v=1788525494"},{"product_id":"yang-feiyan-yfy043","title":"Yang Feiyan Hand-Painted Shoutao Jianzhan Tea Bowl YFY043｜Porcelain-Glazed Jian Ware with Certificate｜杨飞燕 手绘寿桃建盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003ePAINTED BY THE ARTIST HERSELF\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis is not simply a Jian Zhan carrying an artist’s name.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eShoutao — Longevity Peach — decoration was personally painted by Yang Feiyan 杨飞燕\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe work is accompanied not only by its certificate, but also by photographs of the artist holding the finished bowl and a short video documenting the painting process.\u003c\/p\u003e\n\u003cp\u003eFor the collector, that gives this particular piece something especially valuable:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eclear authorship and clear provenance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can see who painted it.\u003c\/p\u003e\n\u003cp\u003eAnd you can see this specific bowl being created.\u003c\/p\u003e\n\u003ch3\u003eSHOUTAO｜寿桃\u003c\/h3\u003e\n\u003cp\u003eThe peach has long been associated in Chinese culture with \u003cstrong\u003elongevity, blessing and good fortune\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eYang Feiyan’s treatment is light and refined rather than heavily decorative.\u003c\/p\u003e\n\u003cp\u003eSoft peach tones are balanced by delicate branches and blue-green leaves, allowing the painting to sit naturally against the pale body of the bowl.\u003c\/p\u003e\n\u003cp\u003eThe result feels closer to a small painted porcelain work than a conventional dark Jian Zhan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTraditional meaning.\u003cbr\u003eA lighter contemporary expression.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eA DIFFERENT GLAZE EXPERIENCE\u003c\/h3\u003e\n\u003cp\u003eThis bowl is also technically different from the typical Jian Zhan most collectors first encounter.\u003c\/p\u003e\n\u003cp\u003eRather than the darker, more characteristic ash-based Jian glaze appearance, both the interior and exterior have a \u003cstrong\u003esmooth, porcelain-like glazed surface\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe interior is especially restrained — pale, clean and quiet.\u003c\/p\u003e\n\u003cp\u003eOver time and with repeated use, the glaze can gradually develop \u003cstrong\u003efine crackle lines — 开片\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThat means the surface does not remain visually static.\u003c\/p\u003e\n\u003cp\u003eTea, water, heat and time slowly bring out another layer of character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYou buy one appearance today.\u003cbr\u003eTime gradually creates another.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor someone who enjoys using collectible teaware rather than simply displaying it, that ageing process is part of the pleasure.\u003c\/p\u003e\n\u003ch3\u003eMADE TO CHANGE WITH USE\u003c\/h3\u003e\n\u003cp\u003eMany collectible bowls look their best on the day they are purchased.\u003c\/p\u003e\n\u003cp\u003eThis one has another attraction.\u003c\/p\u003e\n\u003cp\u003eThe more it is used, the more individual the glaze can become.\u003c\/p\u003e\n\u003cp\u003eFine crackle patterns develop naturally across the porcelain-like surface, creating subtle lines that were not fully present when the bowl was new.\u003c\/p\u003e\n\u003cp\u003eNo two used pieces will age in exactly the same way.\u003c\/p\u003e\n\u003cp\u003eThe artist completes the painting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTime completes the surface.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eAN ACCESSIBLE ARTIST-PAINTED PIECE\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e89 × 55 mm\u003c\/strong\u003e, YFY043 is comfortable as a personal tea bowl.\u003c\/p\u003e\n\u003cp\u003eAnd at \u003cstrong\u003eS$420\u003c\/strong\u003e, it offers a relatively accessible way to own a piece that combines:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eartist-painted decoration\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003edocumented painting process\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eartist holding photograph\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ecertificate\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eand an evolving crackle glaze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt does not need to compete with higher-priced master Jian Zhan.\u003c\/p\u003e\n\u003cp\u003eIts appeal is much simpler:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ea genuine artist-painted piece that you can actually use and watch change over time.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Yang Feiyan 杨飞燕\u003cbr\u003e\u003cstrong\u003eDecoration:\u003c\/strong\u003e Hand-Painted Shoutao 寿桃\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Porcelain-like glazed surface 瓷质釉面\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 89 × 55 mm\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Artist holding photograph + painting-process video\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Ref.:\u003c\/strong\u003e YFY043\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e杨飞燕 · 手绘寿桃盏｜YFY043\u003c\/h3\u003e\n\u003cp\u003e这只最特别的地方，是\u003cstrong\u003e杨飞燕本人手绘\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e寿桃寓意长寿、吉祥，画面细腻、清雅。\u003c\/p\u003e\n\u003cp\u003e我们同时保留了：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e作者持盏照片、绘画过程短视频及证书。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e所以收藏的不只是一个名字，而是能够清楚看到\u003cstrong\u003e这一只作品由谁完成\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e它的釉面也和典型深色草木灰建盏不同。\u003c\/p\u003e\n\u003cp\u003e里外为较细腻的\u003cstrong\u003e瓷质釉面\u003c\/strong\u003e，新盏清润干净；随着使用，釉面会逐渐出现漂亮的\u003cstrong\u003e开片\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e画，是作者完成的。\u003cbr\u003e开片，则交给时间。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e89 × 55mm\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e一件价格容易进入、又真正可以边用边养的作者手绘作品。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60485845811281,"sku":null,"price":420.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_173022.jpg?v=1788954442"},{"product_id":"zhi-jing-zj044","title":"Zhi Jing Pink Peach Blossom Baihua Jianzhan Tea Bowl ZJ044｜Jian Ware with Artist Certificate｜支静 粉桃花百花盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA YOUNG MAKER WITH A CLEAR LINEAGE\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eZhi Jing 支静\u003c\/strong\u003e is a new-generation female Jian Zhan maker from Jianyang.\u003c\/p\u003e\n\u003cp\u003eAccording to her artist profile, she is a ceramic arts and crafts artist, a member of the Jianyang Jian Zhan Association, a council member of the Nanping Arts and Crafts Association, and studied under ceramic artist \u003cstrong\u003eChen Chunhua 陈春华\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor collectors entering contemporary Jian Zhan, this gives the work a clear maker identity and artistic background.\u003c\/p\u003e\n\u003ch3\u003ePINK PEACH BLOSSOM BAIHUA｜粉桃花百花\u003c\/h3\u003e\n\u003cp\u003eThe strongest feature of this bowl is the glaze.\u003c\/p\u003e\n\u003cp\u003eAgainst the deep black ground, large crystalline markings open across the interior and exterior like layers of blossoms.\u003c\/p\u003e\n\u003cp\u003eUnder light, the colour shifts between:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003egold, bronze, soft pink and subtle iridescent tones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe effect is especially attractive from above, where the markings appear to radiate naturally around the bowl.\u003c\/p\u003e\n\u003cp\u003eIt is decorative, but still recognisably Jian Zhan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDark glaze below.\u003cbr\u003eBlossom-like crystals above.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eA BOWL THAT CHANGES WITH LIGHT\u003c\/h3\u003e\n\u003cp\u003eThis is not a bowl that looks the same from every angle.\u003c\/p\u003e\n\u003cp\u003eUnder softer light, the glaze appears darker and more restrained.\u003c\/p\u003e\n\u003cp\u003eMove it toward stronger light and the metallic and pink tones become more obvious.\u003c\/p\u003e\n\u003cp\u003eThat change is part of the appeal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe pattern is fixed.\u003cbr\u003eThe colour is not.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDISTINCTIVE FOOT｜独特底足\u003c\/h3\u003e\n\u003cp\u003eThe base is another detail worth looking at.\u003c\/p\u003e\n\u003cp\u003eThe unglazed foot has a clean, slightly raised form with the artist’s \u003cstrong\u003e支静\u003c\/strong\u003e mark clearly visible at the centre.\u003c\/p\u003e\n\u003cp\u003eThat contrast between the highly active glaze and the quiet exposed foot gives the bowl a more finished and identifiable character.\u003c\/p\u003e\n\u003cp\u003eFor a collector, the bottom matters almost as much as the glaze.\u003c\/p\u003e\n\u003ch3\u003eAN ACCESSIBLE AUTHOR PIECE\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e93 × 58 mm\u003c\/strong\u003e, this is a comfortable personal tea-bowl size.\u003c\/p\u003e\n\u003cp\u003eIt is easy to use, easy to display, and easy to enter as a first signed contemporary Jian Zhan.\u003c\/p\u003e\n\u003cp\u003eThe appeal is straightforward:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003erecognisable glaze,\u003cbr\u003eclear maker identity,\u003cbr\u003edistinctive foot,\u003cbr\u003eand practical everyday size.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA good starting point for someone who wants to move beyond anonymous Jian Zhan and begin collecting by maker.\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Zhi Jing 支静\u003cbr\u003e\u003cstrong\u003ePattern:\u003c\/strong\u003e Pink Peach Blossom Baihua 粉桃花百花\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 93 × 58 mm\u003cbr\u003e\u003cstrong\u003eArtist Mark:\u003c\/strong\u003e 支静\u003cbr\u003e\u003cstrong\u003eCertificate \/ Artist Profile:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Ref.:\u003c\/strong\u003e ZJ044\u003c\/p\u003e\n\u003ch2\u003e支静 · 粉桃花百花盏｜ZJ044\u003c\/h2\u003e\n\u003cp\u003e支静，新生代女性建盏匠人，师承陶瓷艺术大师\u003cstrong\u003e陈春华\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e这只作品最吸引人的，是它的\u003cstrong\u003e粉桃花百花釉色\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e深黑釉面之上，结晶像花瓣一样层层展开，在不同光线下会出现\u003cstrong\u003e金、铜、粉红及虹彩光泽\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e尤其从盏内俯看，整个花纹向中心自然聚拢，非常漂亮。\u003c\/p\u003e\n\u003cp\u003e底足也很有辨识度，露胎简洁，并有清晰的**“支静”作者款**。\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e93 × 58mm\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e适合真正使用，也很适合作为第一只\u003cstrong\u003e有明确作者身份的当代建盏\u003c\/strong\u003e。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60486004408401,"sku":null,"price":138.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_180920.jpg?v=1788955264"},{"product_id":"zhang-zaishou-zzs045","title":"Zhang Zaishou 2019 Discontinued Series Gemstone-Glaze Yohen Jianzhan ZZS045｜章再守 2019绝版系列 宝石釉曜变盏","description":"\u003ch3\u003eA DISTINCTIVE WORK BY A FUJIAN PROVINCIAL MASTER\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eZhang Zaishou 章再守\u003c\/strong\u003e is a Fujian Provincial Arts and Crafts Master known for his exploration of gemstone and mineral materials in contemporary Jian Zhan glaze.\u003c\/p\u003e\n\u003cp\u003eThis piece belongs to his \u003cstrong\u003e2019 discontinued Gemstone-Glaze series\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUnlike conventional Oil Drop or Hare’s Fur Jian Zhan, the focus here is colour transformation.\u003c\/p\u003e\n\u003cp\u003eUnder changing light, the glaze reveals different layers of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eviolet, blue, bronze, gold and green.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe effect can change dramatically simply by turning the bowl in the hand.\u003c\/p\u003e\n\u003ch3\u003eGEMSTONE-GLAZE YOHEN EFFECT｜宝石釉曜变\u003c\/h3\u003e\n\u003cp\u003eThe glaze is the centre of this work.\u003c\/p\u003e\n\u003cp\u003eSelected mineral and gemstone materials were incorporated into the glaze formulation, allowing heat, reduction and kiln atmosphere to create its highly iridescent surface.\u003c\/p\u003e\n\u003cp\u003eFrom one angle, the bowl appears dark and restrained.\u003c\/p\u003e\n\u003cp\u003eMove it toward stronger light and the surface begins to open.\u003c\/p\u003e\n\u003cp\u003ePurple becomes blue.\u003c\/p\u003e\n\u003cp\u003eBronze becomes gold.\u003c\/p\u003e\n\u003cp\u003eGreen and metallic highlights emerge between them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe pattern stays.\u003cbr\u003eThe colour keeps changing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the defining attraction of ZZS045.\u003c\/p\u003e\n\u003ch3\u003eYOHEN — A TERM TO USE WITH RESPECT\u003c\/h3\u003e\n\u003cp\u003eIn Japanese tea-ceramic history, \u003cstrong\u003eYōhen Tenmoku 曜変天目\u003c\/strong\u003e refers to an exceptionally rare group of Southern Song Jian bowls celebrated for their extraordinary iridescent halos.\u003c\/p\u003e\n\u003cp\u003eZZS045 is a contemporary work and should not be confused with those historic National Treasure bowls.\u003c\/p\u003e\n\u003cp\u003eIts interest lies instead in a modern interpretation of that dramatic \u003cstrong\u003eyohen-like colour transformation\u003c\/strong\u003e, achieved through Zhang Zaishou’s gemstone-glaze approach.\u003c\/p\u003e\n\u003cp\u003eThat distinction matters.\u003c\/p\u003e\n\u003cp\u003eFor collectors, accuracy is part of provenance.\u003c\/p\u003e\n\u003ch3\u003e2019 DISCONTINUED SERIES\u003c\/h3\u003e\n\u003cp\u003eThe fact that this belongs to a \u003cstrong\u003ediscontinued 2019 series\u003c\/strong\u003e adds another layer to the work.\u003c\/p\u003e\n\u003cp\u003eThis particular gemstone-glaze direction is no longer treated as an ordinary current-production line.\u003c\/p\u003e\n\u003cp\u003eFor a collector, that means ZZS045 represents a specific stage in Zhang Zaishou’s glaze experimentation rather than simply another contemporary colour variation.\u003c\/p\u003e\n\u003cp\u003eThe attraction is therefore not only:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ehow it looks,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ebut also:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ewhere it sits within the artist’s body of work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eMADE TO BE TURNED IN THE HAND\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e95 × 47 mm\u003c\/strong\u003e, the bowl has a broad, relatively low profile.\u003c\/p\u003e\n\u003cp\u003eThat proportion gives the interior glaze plenty of visual space.\u003c\/p\u003e\n\u003cp\u003eViewed from above, the colour field becomes especially dramatic.\u003c\/p\u003e\n\u003cp\u003eViewed from the side, the lower silhouette keeps the bowl restrained and balanced.\u003c\/p\u003e\n\u003cp\u003eThis is not a piece best understood from one photograph.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTurn it slowly.\u003cbr\u003eChange the light.\u003cbr\u003eThe bowl answers differently.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Zhang Zaishou 章再守\u003cbr\u003e\u003cstrong\u003eArtist Rank:\u003c\/strong\u003e Fujian Provincial Arts and Crafts Master 福建省工艺美术大师\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e 2019 Discontinued Series 2019绝版系列\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Gemstone-Glaze Yohen Effect 宝石釉曜变\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 95 × 47 mm\u003cbr\u003e\u003cstrong\u003eArtist Mark:\u003c\/strong\u003e 章再守\u003cbr\u003e\u003cstrong\u003eCertificate \/ Artist Materials:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003ePresentation Box:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Ref.:\u003c\/strong\u003e ZZS045\u003c\/p\u003e\n\u003ch2\u003e章再守 · 2019绝版系列 宝石釉曜变盏｜ZZS045\u003c\/h2\u003e\n\u003cp\u003e章再守，\u003cstrong\u003e福建省工艺美术大师\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e这只属于他的 \u003cstrong\u003e2019年绝版宝石釉系列\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e与传统油滴、兔毫不同，这只真正看的，是\u003cstrong\u003e颜色随光线发生的曜变\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e紫、蓝、金、铜、绿，在不同角度不断出现。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e花纹是固定的，颜色却一直在变。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e宝石、矿物参与釉料配制，再交由窑火完成最终效果，使这一只具有非常强烈的虹彩与金属光泽。\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e95 × 47mm\u003c\/strong\u003e，附作者资料及原装包装。\u003c\/p\u003e\n\u003cp\u003e对于已经收藏传统建盏的藏家，这只的意义不是“再多一个釉色”。\u003c\/p\u003e\n\u003cp\u003e而是：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一个已经停止生产的特殊系列，\u003cbr\u003e以及章再守宝石釉探索中的一个阶段。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60486054903889,"sku":null,"price":350.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_181503.jpg?v=1788956072"},{"product_id":"cai-qiandi-6-piece-cqd046","title":"Cai Qiandi 6-Piece Jianzhan Tea Cup Set CQD046｜Six Kiln-Glaze Expressions with Certificate｜蔡牵俤 六件套建盏茶杯","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 65 × 36 mm each\u003cbr\u003e\u003cstrong\u003eSet:\u003c\/strong\u003e 6 pieces\u003cbr\u003e\u003cstrong\u003eOVP Ref.:\u003c\/strong\u003e CQD046\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eFROM THE CAI FAMILY OF JIANZHAN MAKERS\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCai Qiandi 蔡牵俤\u003c\/strong\u003e comes from a well-established Jian Zhan family in Jianyang.\u003c\/p\u003e\n\u003cp\u003eShe is the younger sister of the well-known \u003cstrong\u003e“Cai Brothers” — Cai Bingkun 蔡炳昆, Cai Binglong 蔡炳龙 and Cai Bingsheng 蔡炳盛\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe three brothers have been closely associated with the modern revival of Jian Zhan in Jianyang and developed their own long-standing approaches to traditional glaze and firing. Local Jianyang reporting describes the “Cai Brothers” as recognised figures in the revival of contemporary Jian Zhan. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors, that family background gives Cai Qiandi’s work a clearer context.\u003c\/p\u003e\n\u003cp\u003eThis is not simply an anonymous six-cup gift set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt comes from a recognisable Jian Zhan family tradition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eONE BOX · SIX KILN EXPRESSIONS\u003c\/h3\u003e\n\u003cp\u003eThe attraction of CQD046 is the variation.\u003c\/p\u003e\n\u003cp\u003eAll six cups share a similar small form, yet each presents a distinctly different kiln result.\u003c\/p\u003e\n\u003cp\u003eAcross the set, the glaze moves through combinations of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eblue, red, gold, pale spotting, metallic tones and ring-like patterns.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlaced together, the six pieces invite comparison.\u003c\/p\u003e\n\u003cp\u003eOne is brighter.\u003c\/p\u003e\n\u003cp\u003eOne is darker.\u003c\/p\u003e\n\u003cp\u003eOne concentrates its colour toward the centre.\u003c\/p\u003e\n\u003cp\u003eAnother opens outward across the bowl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSame maker.\u003cbr\u003eSame set.\u003cbr\u003eSix different expressions of fire.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eSMALL FORMAT, COMPLETE SET\u003c\/h3\u003e\n\u003cp\u003eEach cup measures approximately \u003cstrong\u003e65 × 36 mm\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe compact size makes them particularly suitable for tea tasting, sharing among several guests, or displaying together as a complete group.\u003c\/p\u003e\n\u003cp\u003eBecause the size and form remain consistent, the differences in glaze become even easier to appreciate.\u003c\/p\u003e\n\u003cp\u003eThe set works precisely because it is not six identical cups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe unity comes from the form.\u003cbr\u003eThe interest comes from the variation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eBETTER TOGETHER\u003c\/h3\u003e\n\u003cp\u003eA single small Jian Zhan can be attractive.\u003c\/p\u003e\n\u003cp\u003eSix related pieces tell a fuller story.\u003c\/p\u003e\n\u003cp\u003eCQD046 allows the collector to see different glaze effects from one maker side by side rather than judging one isolated bowl.\u003c\/p\u003e\n\u003cp\u003eThat makes it an easy entry into collecting Jian Zhan by \u003cstrong\u003emaker and kiln expression\u003c\/strong\u003e, rather than simply by colour.\u003c\/p\u003e\n\u003cp\u003eIt is also practical enough to use.\u003c\/p\u003e\n\u003cp\u003eYou can keep the set complete.\u003c\/p\u003e\n\u003cp\u003eOr actually bring all six onto the tea table.\u003c\/p\u003e\n\u003ch3\u003eCOMPLETE PRESENTATION\u003c\/h3\u003e\n\u003cp\u003eCQD046 comes as a complete set with:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 Jian Zhan tea cups\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOriginal presentation box\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCollector certificate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor someone beginning to move beyond anonymous Jian Zhan, it offers a simple proposition:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ea recognised family background,\u003cbr\u003ea named maker,\u003cbr\u003esix different kiln results,\u003cbr\u003eand one complete boxed set.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Cai Qiandi 蔡牵俤\u003cbr\u003e\u003cstrong\u003eSet:\u003c\/strong\u003e 6 pieces\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 65 × 36 mm each\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Six contemporary kiln-glaze expressions\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003ePresentation Box:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Ref.:\u003c\/strong\u003e CQD046\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e蔡牵俤 · 六件套建盏｜CQD046\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e蔡牵俤出身建阳蔡氏建盏世家，是著名 “蔡氏三兄弟”——蔡炳昆、蔡炳龙、蔡炳盛——的妹妹。\u003c\/p\u003e\n\u003cp\u003e蔡氏三兄弟在建阳建盏复兴中颇具代表性，各自长期研究、烧制建盏。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e这一套共 \u003cstrong\u003e6只\u003c\/strong\u003e，每只约 \u003cstrong\u003e65 × 36mm\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e六只器型统一，但窑变各不相同，可见蓝、红、金、白斑、金属光泽及不同环状纹理。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e一家传承，\u003cbr\u003e一位作者，\u003cbr\u003e六种窑火表现。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e附原装礼盒及收藏证书。\u003c\/p\u003e\n\u003cp\u003e适合实际品茶，也适合作为一套完整的作者建盏收藏。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60486278348881,"sku":null,"price":258.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_181939.jpg?v=1788957596"},{"product_id":"xiu-guangming-fulu-shuangzhi-blue","title":"Fu Lu Shuang Zhi Ji Blue Porcelain Cup Pair by Xiu Guangming｜2024 BRICS Official Event Gift｜修光明 福禄双至 霁蓝 福禄对杯","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eCreated by \u003cstrong\u003eXiu Guangming\u003c\/strong\u003e, \u003cem\u003eFu Lu Shuang Zhi\u003c\/em\u003e is an original patented two-cup design inspired by one of China’s most enduring auspicious symbols — the gourd.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIndividually, they are two functional tea cups.\u003cbr\u003eStacked together, they form a complete \u003cstrong\u003eHu Lu 葫芦\u003c\/strong\u003e — a traditional symbol whose pronunciation echoes \u003cstrong\u003eFu Lu 福禄\u003c\/strong\u003e, meaning blessings, prosperity and good fortune.\u003c\/p\u003e\n\u003cp\u003eMore importantly, the pair represents \u003cstrong\u003eharmony without sameness — 和而不同\u003c\/strong\u003e: two individual vessels, complete on their own, yet becoming something greater when brought together.\u003c\/p\u003e\n\u003cp\u003eIn 2024, \u003cem\u003eFu Lu Shuang Zhi\u003c\/em\u003e was selected as a designated gift for the China-Russia Business Forum, an official event of the BRICS Summit. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eOne Pair, Five Blessings\u003c\/h3\u003e\n\u003cp\u003eThe two cups may be arranged in different ways, each carrying a different auspicious expression:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e福来运转\u003c\/strong\u003e — Fortune Turns in Your Favour\u003cbr\u003e\u003cstrong\u003e福气满满\u003c\/strong\u003e — Full of Blessings\u003cbr\u003e\u003cstrong\u003e福到万家\u003c\/strong\u003e — Blessings Arrive at Every Home\u003cbr\u003e\u003cstrong\u003e福禄高升\u003c\/strong\u003e — Fortune \u0026amp; Prosperity Rise\u003cbr\u003e\u003cstrong\u003e福在眼前\u003c\/strong\u003e — Blessings Before Your Eyes\u003c\/p\u003e\n\u003cp\u003eThis transforms the set from simply two tea cups into an object that can be used, displayed and interpreted differently over time.\u003c\/p\u003e\n\u003ch3\u003eMade in Jianyang\u003c\/h3\u003e\n\u003cp\u003eThis Ji Blue edition is produced in \u003cstrong\u003eJianyang, Fujian\u003c\/strong\u003e, the historical home of Jian ware.\u003c\/p\u003e\n\u003cp\u003eThe certificate records the material as \u003cstrong\u003enatural mineral glaze and clay\u003c\/strong\u003e, with individual anti-counterfeit identification.\u003c\/p\u003e\n\u003cp\u003eIts deep Ji Blue surface gives the otherwise traditional gourd form a clean, restrained character — especially suitable for collectors who prefer a less decorative, more architectural aesthetic.\u003c\/p\u003e\n\u003ch3\u003eA Gift for Two\u003c\/h3\u003e\n\u003cp\u003eThe symbolism makes \u003cem\u003eFu Lu Shuang Zhi\u003c\/em\u003e particularly meaningful for:\u003c\/p\u003e\n\u003cp\u003eweddings, anniversaries and long-married couples.\u003c\/p\u003e\n\u003cp\u003eIt does not simply say “congratulations”.\u003c\/p\u003e\n\u003cp\u003eIt represents \u003cstrong\u003etwo people remaining themselves, while sharing one life.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist \/ Designer:\u003c\/strong\u003e Xiu Guangming 修光明\u003cbr\u003e\u003cstrong\u003eWork:\u003c\/strong\u003e Fu Lu Shuang Zhi 福禄双至\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eFinish:\u003c\/strong\u003e Ji Blue 霁蓝, a deep traditional Chinese blue glaze\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Natural mineral glaze, ceramic clay\u003cbr\u003e\u003cstrong\u003eDesign Patent:\u003c\/strong\u003e ZL 2023 3 0527189.X\u003cbr\u003e\u003cstrong\u003ewith Certificate ID \u0026amp; QR Code with price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge Cup:\u003c\/strong\u003e 71 × 51 mm; approx. 83 mm maximum body width\u003cbr\u003e\u003cstrong\u003eSmall Cup:\u003c\/strong\u003e 65 × 55 mm; approx. 73 mm maximum body width\u003c\/p\u003e\n\u003cp\u003eIndividual certificate and authentication code included.\u003c\/p\u003e\n\u003cp\u003e修光明原创《福禄双至》，以两只不同器型的茶盏组合成完整葫芦，取“葫芦”谐音“福禄”，亦寓意\u003cstrong\u003e成双成对、和而不同、和合长久\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e两杯不同组合方式，又可呈现“福来运转、福气满满、福到万家、福禄高升、福在眼前”五种吉祥寓意。\u003c\/p\u003e\n\u003cp\u003e霁蓝版产自福建建阳，配独立收藏证书及防伪编号。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60486653870161,"sku":null,"price":980.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/Screenshot2026-09-09213324.png?v=1788961002"},{"product_id":"xiu-guangming-fu-lu-shuang-zhi-red","title":"Fu Lu Shuang Zhi Warm Red Porcelain Cup Pair by Xiu Guangming｜2024 BRICS Official Event Gift｜修光明 福禄双至 暖红 福禄对杯","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eFu Lu Shuang Zhi — A Symbol of Blessings \u0026amp; Togetherness\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eDesigned by \u003cstrong\u003eXiu Guangming (修光明)\u003c\/strong\u003e, \u003cem\u003eFu Lu Shuang Zhi\u003c\/em\u003e is an original contemporary Chinese porcelain design formed from \u003cstrong\u003etwo individual tea cups\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen stacked together, the two cups create the silhouette of a traditional Chinese \u003cstrong\u003ehulu (葫芦)\u003c\/strong\u003e — a form long associated with \u003cstrong\u003eFu Lu (福禄), blessings and prosperity\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMore importantly, the pair represents \u003cstrong\u003etwo becoming one\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThat makes the piece particularly meaningful for \u003cstrong\u003eweddings, anniversaries, couples and significant family occasions\u003c\/strong\u003e — not simply as a pair of tea cups, but as an object carrying the idea of harmony, companionship and enduring union.\u003c\/p\u003e\n\u003ch3\u003eMore Than One Meaning\u003c\/h3\u003e\n\u003cp\u003eThe design can be arranged in different ways, each carrying a different auspicious expression.\u003c\/p\u003e\n\u003cp\u003eUsed separately, the two cups represent a pair.\u003c\/p\u003e\n\u003cp\u003eStacked together, they become a complete \u003cstrong\u003ehulu\u003c\/strong\u003e, symbolising \u003cstrong\u003e福禄双至 — blessings and prosperity arriving together\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis duality is what gives the work its charm: it functions as tea ware, yet also works naturally as a symbolic decorative object.\u003c\/p\u003e\n\u003ch3\u003eFrom the 2024 BRICS Official Gift Series\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eFu Lu Shuang Zhi\u003c\/em\u003e was selected as an \u003cstrong\u003eofficial designated gift associated with the 2024 BRICS events in Russia\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe series was created within the \u003cstrong\u003eShang Xi Guo Ci (上玺国瓷)\u003c\/strong\u003e cultural gift programme, positioning contemporary Chinese porcelain as a medium for presenting Chinese ideas of \u003cstrong\u003eFu (福), harmony and cultural exchange\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this background gives the work a stronger identity than an ordinary commercially produced porcelain cup set.\u003c\/p\u003e\n\u003ch3\u003eThe Warm Red Edition\u003c\/h3\u003e\n\u003cp\u003eThis edition is made in \u003cstrong\u003eJingdezhen, China\u003c\/strong\u003e, with a warm red exterior contrasted against a clean white interior.\u003c\/p\u003e\n\u003cp\u003eThe actual colour is \u003cstrong\u003esofter and more restrained than it appears under strong photographic lighting\u003c\/strong\u003e — closer to a warm, elegant red rather than a brilliant scarlet.\u003c\/p\u003e\n\u003cp\u003eIts restrained palette makes it especially suitable for wedding and anniversary gifting without appearing overly festive or seasonal.\u003c\/p\u003e\n\u003ch3\u003eDetails\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist \/ Designer:\u003c\/strong\u003e Xiu Guangming 修光明\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWork:\u003c\/strong\u003e Fu Lu Shuang Zhi 福禄双至\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Porcelain Tea Cup Pair\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour:\u003c\/strong\u003e Warm Red\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jingdezhen, China\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge Cup:\u003c\/strong\u003e 71 × 51 mm; approx. 83 mm at widest point\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmall Cup:\u003c\/strong\u003e 65 × 55 mm; approx. 73 mm at widest point\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStructure:\u003c\/strong\u003e Two cups forming one hulu-shaped composition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeries:\u003c\/strong\u003e Shang Xi Guo Ci 上玺国瓷\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenance:\u003c\/strong\u003e 2024 BRICS Official Event Gift Series\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuthentication ID with QR code and price \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003e《福禄双至》由修光明原创设计。\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e两个独立茶杯上下组合后，形成完整的葫芦造型。葫芦谐音“福禄”，双杯又寓意\u003cstrong\u003e成双、和合、相伴\u003c\/strong\u003e，特别适合作为新婚、周年及重要关系的纪念礼物。\u003c\/p\u003e\n\u003cp\u003e暖红版本产自\u003cstrong\u003e景德镇\u003c\/strong\u003e，外壁色泽温润，实物比照片中的鲜红更柔和；内壁洁白，红白相映。\u003c\/p\u003e\n\u003cp\u003e作品属于\u003cstrong\u003e上玺国瓷系列\u003c\/strong\u003e，《福禄双至》系列曾作为\u003cstrong\u003e2024年俄罗斯金砖国家相关官方活动指定用礼\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e附收藏证书及独立防伪编号。\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60486996033617,"sku":null,"price":328.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_175507.jpg?v=1788962416"},{"product_id":"li-ying-ly047","title":"Li Ying Golden Jianzhan Offering Bowl LY047｜Gold Glaze Jian Ware with Certificate｜李英 金钵 盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA WORK FROM A COMPLETED LEGACY\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLi Ying 李英\u003c\/strong\u003e was a National Senior Technician, Fujian Provincial Ceramic Art Master and Nanping Arts and Crafts Master.\u003c\/p\u003e\n\u003cp\u003eHer \u003cem\u003eOil Drop Tea Bowl\u003c\/em\u003e entered the collection of the \u003cstrong\u003eNational Museum of China\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLi Ying has since passed away.\u003c\/p\u003e\n\u003cp\u003eThere will be no new works made by her hand.\u003c\/p\u003e\n\u003cp\u003eWhat remains is the body of Jian Zhan she created during her lifetime.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this gives every surviving work a different context:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ethe artist’s body of work is now complete.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eHER GOLD｜李英的金\u003c\/h3\u003e\n\u003cp\u003eLi Ying’s gold glaze has a distinctive character.\u003c\/p\u003e\n\u003cp\u003eBright.\u003c\/p\u003e\n\u003cp\u003eClean.\u003c\/p\u003e\n\u003cp\u003eLuminous.\u003c\/p\u003e\n\u003cp\u003eYet never overly decorative.\u003c\/p\u003e\n\u003cp\u003eUnder softer light, the gold appears warm and restrained. Under stronger light, the surface becomes noticeably more metallic and vivid.\u003c\/p\u003e\n\u003cp\u003eThe attraction is not simply that it is gold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is the quality of the gold.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eBLACK-RIM GOLD｜黑金\u003c\/h3\u003e\n\u003cp\u003eLY047 represents another expression of Li Ying’s gold.\u003c\/p\u003e\n\u003cp\u003eA clearly defined \u003cstrong\u003eblack-glazed rim\u003c\/strong\u003e remains around the mouth of the bowl before transitioning into the gold-toned glaze below.\u003c\/p\u003e\n\u003cp\u003eThat black rim changes the entire composition.\u003c\/p\u003e\n\u003cp\u003eIt gives the gold a darker frame, stronger contrast and greater visual depth.\u003c\/p\u003e\n\u003cp\u003eRather than appearing uniformly bright, the surface moves between \u003cstrong\u003eblack, bronze and gold\u003c\/strong\u003e as the angle of light changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe black gives the gold somewhere to shine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eJIN BO｜金钵\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e87 × 63 mm\u003c\/strong\u003e, LY047 has a fuller and more substantial presence than Li Ying’s smaller bowls.\u003c\/p\u003e\n\u003cp\u003eThe rounded \u003cstrong\u003eJin Bo\u003c\/strong\u003e form gives the piece the character of a compact golden bowl — broad, deep and visually grounded.\u003c\/p\u003e\n\u003cp\u003eThis stronger volume works particularly well with the black-and-gold glaze.\u003c\/p\u003e\n\u003cp\u003eThe form gives it weight.\u003c\/p\u003e\n\u003cp\u003eThe glaze gives it light.\u003c\/p\u003e\n\u003ch3\u003eWHY THIS PIECE MATTERS\u003c\/h3\u003e\n\u003cp\u003eIf LY041 represents an accessible small work by Li Ying, LY047 offers something different.\u003c\/p\u003e\n\u003cp\u003eIt has more physical presence.\u003c\/p\u003e\n\u003cp\u003eA stronger black-and-gold contrast.\u003c\/p\u003e\n\u003cp\u003eAnd a fuller Jin Bo silhouette.\u003c\/p\u003e\n\u003cp\u003eFor a collector already familiar with Li Ying’s gold-glaze works, this is not simply another version of the same bowl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt shows another side of her gold.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Li Ying 李英\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Black-Rim Gold 黑金\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Jin Bo 金钵\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 87 × 63 mm\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eCredentials:\u003c\/strong\u003e National Senior Technician · Fujian Provincial Ceramic Art Master · Nanping Arts and Crafts Master\u003cbr\u003e\u003cstrong\u003eMuseum Collection:\u003c\/strong\u003e National Museum of China\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Collection Ref.:\u003c\/strong\u003e LY047\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e李英 · 黑金金钵盏｜LY047\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e李英，国家高级技师、福建省陶瓷艺术大师、南平市工艺美术大师，其《油滴茶盏》被\u003cstrong\u003e中国国家博物馆收藏\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e李英已经离世，她不会再有新的作品。\u003c\/p\u003e\n\u003cp\u003e这只最特别的是\u003cstrong\u003e黑金\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e口沿保留明显黑釉，再向下进入李英标志性的金色釉面。黑、铜、金随着光线不断变化，层次比纯金色更强。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e黑，让金更亮。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e87 × 63mm\u003c\/strong\u003e，金钵器型饱满、稳重，比小型金盏更有份量感。\u003c\/p\u003e\n\u003cp\u003e对于已经收藏李英作品的人，这只看的不是“又一只金盏”。\u003c\/p\u003e\n\u003cp\u003e而是：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e李英的金，在另一个器型、另一种黑金结构里的表现。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60505429901393,"sku":null,"price":700.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_173506.jpg?v=1789028622"},{"product_id":"li-ying-ly048","title":"Li Ying Gold-to-Rim Fo Du Jianzhan Tea Bowl LY048｜Gold Glaze Jian Ware with Certificate｜李英 全金 佛度盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA WORK FROM A COMPLETED LEGACY\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLi Ying 李英\u003c\/strong\u003e was a National Senior Technician, Fujian Provincial Ceramic Art Master and Nanping Arts and Crafts Master.\u003c\/p\u003e\n\u003cp\u003eHer \u003cem\u003eOil Drop Tea Bowl\u003c\/em\u003e entered the collection of the \u003cstrong\u003eNational Museum of China\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLi Ying has since passed away.\u003c\/p\u003e\n\u003cp\u003eNo new works can now be created by her hand.\u003c\/p\u003e\n\u003cp\u003eFor collectors, the surviving works represent a \u003cstrong\u003ecompleted body of work\u003c\/strong\u003e — and differences in form and glaze become increasingly important within that body.\u003c\/p\u003e\n\u003ch3\u003eHER GOLD｜李英的金\u003c\/h3\u003e\n\u003cp\u003eLi Ying’s gold glaze is immediately recognisable for its unusually bright, clean and refined appearance.\u003c\/p\u003e\n\u003cp\u003eIt catches light strongly without becoming visually heavy.\u003c\/p\u003e\n\u003cp\u003eAt different angles, the surface moves through warm bronze, muted gold and brighter metallic highlights.\u003c\/p\u003e\n\u003cp\u003eGold can easily become excessive.\u003c\/p\u003e\n\u003cp\u003eLi Ying’s strength was making it feel composed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBright, but not loud.\u003cbr\u003eLuxurious, but still refined.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eGOLD TO THE RIM｜全金\u003c\/h3\u003e\n\u003cp\u003eIn this piece, “Full Gold” refers specifically to the treatment of the \u003cstrong\u003erim\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUnlike Li Ying’s Black Gold works, LY048 has \u003cstrong\u003eno contrasting black-glazed band around the mouth\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe gold-toned glaze continues all the way to the rim.\u003c\/p\u003e\n\u003cp\u003eThis creates a more continuous and unified visual impression.\u003c\/p\u003e\n\u003cp\u003eLY047 relies on contrast.\u003c\/p\u003e\n\u003cp\u003eLY048 relies on continuity.\u003c\/p\u003e\n\u003cp\u003eThat difference may sound small.\u003c\/p\u003e\n\u003cp\u003eIn the hand, it changes the whole bowl.\u003c\/p\u003e\n\u003ch3\u003eFO DU｜佛度\u003c\/h3\u003e\n\u003cp\u003eThe second defining feature is the unusual \u003cstrong\u003eFo Du\u003c\/strong\u003e form.\u003c\/p\u003e\n\u003cp\u003eThe body expands outward into a pronounced rounded belly before drawing back towards the mouth and foot.\u003c\/p\u003e\n\u003cp\u003eIts measurements are approximately:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e75 mm diameter × 58 mm height\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaximum belly width: approx. 91 mm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 91 mm belly gives the bowl a surprisingly substantial volume despite its relatively compact mouth.\u003c\/p\u003e\n\u003cp\u003eViewed from above, it appears restrained.\u003c\/p\u003e\n\u003cp\u003eViewed from the side, the character changes completely.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRound. Full. Sculptural.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eA DIFFERENT EXPRESSION OF LI YING’S GOLD\u003c\/h3\u003e\n\u003cp\u003eFor a collector, LY048 should not be chosen simply because it is another Li Ying gold bowl.\u003c\/p\u003e\n\u003cp\u003eIts value lies in the combination:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003egold extending to the rim,\u003cbr\u003ean unusually full Fo Du body,\u003cbr\u003eand Li Ying’s distinctive gold-glaze language.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAmong her smaller Jian Zhan, this form stands apart immediately.\u003c\/p\u003e\n\u003cp\u003eThe artist is the same.\u003c\/p\u003e\n\u003cp\u003eThe gold is recognisable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe silhouette is completely different.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Li Ying 李英\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Gold-to-Rim 全金\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Fo Du 佛度\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 75 × 58 mm\u003cbr\u003e\u003cstrong\u003eMaximum Belly Width:\u003c\/strong\u003e Approx. 91 mm\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eCredentials:\u003c\/strong\u003e National Senior Technician · Fujian Provincial Ceramic Art Master · Nanping Arts and Crafts Master\u003cbr\u003e\u003cstrong\u003eMuseum Collection:\u003c\/strong\u003e National Museum of China\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Collection Ref.:\u003c\/strong\u003e LY048\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e李英 · 全金佛度盏｜LY048\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e李英已经离世，其作品数量不会再增加。\u003c\/p\u003e\n\u003cp\u003e这只“全金”，不是指整只盏全部金色。\u003c\/p\u003e\n\u003cp\u003e重点在于：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e金色釉面一直延伸到口沿，没有黑色口沿釉带。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e因此与黑金作品相比，视觉更加连续、完整。\u003c\/p\u003e\n\u003cp\u003e另一大特点是\u003cstrong\u003e佛度器型\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e75 × 58mm\u003c\/strong\u003e，但腹部最大宽度达到约 \u003cstrong\u003e91mm\u003c\/strong\u003e。盏腹明显向外鼓出，器型圆满、饱满，从侧面看尤其有辨识度。\u003c\/p\u003e\n\u003cp\u003e所以这只真正值得看的，是两个特点同时出现：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e李英的金，\u003cbr\u003e加上一个非常特别的佛度器型。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e同样是李英金盏，\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e这一只，一眼就不一样。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60505703153745,"sku":null,"price":700.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_173911.jpg?v=1789029040"}],"url":"https:\/\/puer.com.sg\/collections\/%e5%90%8d%e5%ae%b6%e5%bb%ba%e7%9b%8f%e4%b8%8e%e7%93%b7%e5%99%a8%e8%b5%84%e4%ba%a7%e6%b1%a0-jian-ware-porcelain-asset-pool.oembed?page=2","provider":"Old Village Puer 老寨古茶","version":"1.0","type":"link"}