{"product_id":"li-ying-ly047","title":"Li Ying Golden Jianzhan Offering Bowl LY047｜Gold Glaze Jian Ware with Certificate｜李英 金钵 盏","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eA WORK FROM A COMPLETED LEGACY\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLi Ying 李英\u003c\/strong\u003e was a National Senior Technician, Fujian Provincial Ceramic Art Master and Nanping Arts and Crafts Master.\u003c\/p\u003e\n\u003cp\u003eHer \u003cem\u003eOil Drop Tea Bowl\u003c\/em\u003e entered the collection of the \u003cstrong\u003eNational Museum of China\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLi Ying has since passed away.\u003c\/p\u003e\n\u003cp\u003eThere will be no new works made by her hand.\u003c\/p\u003e\n\u003cp\u003eWhat remains is the body of Jian Zhan she created during her lifetime.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this gives every surviving work a different context:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ethe artist’s body of work is now complete.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eHER GOLD｜李英的金\u003c\/h3\u003e\n\u003cp\u003eLi Ying’s gold glaze has a distinctive character.\u003c\/p\u003e\n\u003cp\u003eBright.\u003c\/p\u003e\n\u003cp\u003eClean.\u003c\/p\u003e\n\u003cp\u003eLuminous.\u003c\/p\u003e\n\u003cp\u003eYet never overly decorative.\u003c\/p\u003e\n\u003cp\u003eUnder softer light, the gold appears warm and restrained. Under stronger light, the surface becomes noticeably more metallic and vivid.\u003c\/p\u003e\n\u003cp\u003eThe attraction is not simply that it is gold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is the quality of the gold.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eBLACK-RIM GOLD｜黑金\u003c\/h3\u003e\n\u003cp\u003eLY047 represents another expression of Li Ying’s gold.\u003c\/p\u003e\n\u003cp\u003eA clearly defined \u003cstrong\u003eblack-glazed rim\u003c\/strong\u003e remains around the mouth of the bowl before transitioning into the gold-toned glaze below.\u003c\/p\u003e\n\u003cp\u003eThat black rim changes the entire composition.\u003c\/p\u003e\n\u003cp\u003eIt gives the gold a darker frame, stronger contrast and greater visual depth.\u003c\/p\u003e\n\u003cp\u003eRather than appearing uniformly bright, the surface moves between \u003cstrong\u003eblack, bronze and gold\u003c\/strong\u003e as the angle of light changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe black gives the gold somewhere to shine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eJIN BO｜金钵\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e87 × 63 mm\u003c\/strong\u003e, LY047 has a fuller and more substantial presence than Li Ying’s smaller bowls.\u003c\/p\u003e\n\u003cp\u003eThe rounded \u003cstrong\u003eJin Bo\u003c\/strong\u003e form gives the piece the character of a compact golden bowl — broad, deep and visually grounded.\u003c\/p\u003e\n\u003cp\u003eThis stronger volume works particularly well with the black-and-gold glaze.\u003c\/p\u003e\n\u003cp\u003eThe form gives it weight.\u003c\/p\u003e\n\u003cp\u003eThe glaze gives it light.\u003c\/p\u003e\n\u003ch3\u003eWHY THIS PIECE MATTERS\u003c\/h3\u003e\n\u003cp\u003eIf LY041 represents an accessible small work by Li Ying, LY047 offers something different.\u003c\/p\u003e\n\u003cp\u003eIt has more physical presence.\u003c\/p\u003e\n\u003cp\u003eA stronger black-and-gold contrast.\u003c\/p\u003e\n\u003cp\u003eAnd a fuller Jin Bo silhouette.\u003c\/p\u003e\n\u003cp\u003eFor a collector already familiar with Li Ying’s gold-glaze works, this is not simply another version of the same bowl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt shows another side of her gold.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eCOLLECTOR DETAILS\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Li Ying 李英\u003cbr\u003e\u003cstrong\u003eGlaze:\u003c\/strong\u003e Black-Rim Gold 黑金\u003cbr\u003e\u003cstrong\u003eForm:\u003c\/strong\u003e Jin Bo 金钵\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 87 × 63 mm\u003cbr\u003e\u003cstrong\u003eCertificate:\u003c\/strong\u003e Included\u003cbr\u003e\u003cstrong\u003eCredentials:\u003c\/strong\u003e National Senior Technician · Fujian Provincial Ceramic Art Master · Nanping Arts and Crafts Master\u003cbr\u003e\u003cstrong\u003eMuseum Collection:\u003c\/strong\u003e National Museum of China\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Jianyang, Fujian, China\u003cbr\u003e\u003cstrong\u003eOVP Collection Ref.:\u003c\/strong\u003e LY047\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e李英 · 黑金金钵盏｜LY047\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e李英，国家高级技师、福建省陶瓷艺术大师、南平市工艺美术大师，其《油滴茶盏》被\u003cstrong\u003e中国国家博物馆收藏\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e李英已经离世，她不会再有新的作品。\u003c\/p\u003e\n\u003cp\u003e这只最特别的是\u003cstrong\u003e黑金\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e口沿保留明显黑釉，再向下进入李英标志性的金色釉面。黑、铜、金随着光线不断变化，层次比纯金色更强。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e黑，让金更亮。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e约 \u003cstrong\u003e87 × 63mm\u003c\/strong\u003e，金钵器型饱满、稳重，比小型金盏更有份量感。\u003c\/p\u003e\n\u003cp\u003e对于已经收藏李英作品的人，这只看的不是“又一只金盏”。\u003c\/p\u003e\n\u003cp\u003e而是：\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e李英的金，在另一个器型、另一种黑金结构里的表现。\u003c\/strong\u003e\u003c\/p\u003e","brand":"Old Village Puer 老寨古茶","offers":[{"title":"Default Title","offer_id":60505429901393,"sku":null,"price":700.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0013\/4994\/3366\/files\/IMG_20260909_173506.jpg?v=1789028622","url":"https:\/\/puer.com.sg\/products\/li-ying-ly047","provider":"Old Village Puer 老寨古茶","version":"1.0","type":"link"}